50 years since Poulenc stubbed his toe in Montmartre
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50 years since Poulenc stubbed his toe in Montmartre
9 January
Do not misunderstand me - I have loved, even if I can never remember how to pronounce his surname, Poulenc's chamber works for a long time.
But to-day, a matter of weeks since it was played before on Radio 3, I have just heard again his Sextet for Piano and Wind, so some dubious anniversary must be afoot:
However, why not hear his glorious music more often just as a matter of course, as with that of Prokofiev (a proposition with which Susan Milan, who had just played his sonata for flute and piano at a recital, fully agreed and with the notion that he is underplayed in the repertoire)?
We really don't need these lame excuses such as its being 100 years since Groves pronounced somebody's music 'an abomination' to revisit them.
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
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