At Cambridge Drawing Society : Some that caught the eye - and looked likely to linger on longer looking
More views of - or before - Cambridge Film Festival 2017 (19 to 26 October)
(Click here to go directly to the Festival web-site)
28 October
In (except in one case) order of finding (the names of artists new to #UCFF's active consciousness are underlined - those are not links, whereas CDS, after a name, should take you - where one exists - to that member's entry in the list of members) :
* Valerie Pettifer CDS ~ Heavenly Vision (£350) [archive images at Present show at The Tavern Gallery, Meldreth : Royston Arts Society]
* Andy Dakin CDS ~ Lisa, Unportrait (540) + [hung elsewhere] Emily III (£320)
* Louise Riley-Smith CDS ~ Teacup (£295)
* Yuxin Yang CDS ~ Hills Road, Impression (£90)
* Dan Walmsley CDS ~ Daymer Bay, Cornwall (£450)
* Lyudmila Sikhosana ~ Dusk at the Meadow (£280)
* Francesca Gagni CDS ~ Stardust II (£325)
* Sue Eaton CDS ~ Inky Waters (£290)
* Yvonne Jerrold CDS ~ Zoe (£285)
* Cathy Parker CDS ~ Vineyard II (£290)
* Melanie Collins ~ Earth (£300)
* Surinder Beerh ~ Boat Yard (£150)
* Lee Browne ~ Summer, Waresley Wood (£95)
* Svetlana Baibekova ~ Composition I (£125) [archive images at Svetlana steals the show]
End-notes :
* For once, not a list with thirteen items... However, three or four titles that have a comma ?
Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
More views of – or before – Cambridge Film Festival 2015 (3 to 13 September)
(Click here to go directly to the Festival web-site)
23 July
In two versions, the paintings described in the companion posting Cambridge Open Studios 2015 : Sunday 12 July (Weekend 2) – Happy viewing ! :
Images, speaking for themselves
And / or
Images, with intended characterization underneath
* North York Moors [CP2] – oil, £290
The view is characterized by ruddy clouds, with water represented, as it recedes, by purples and violets – what we feel most clearly in the landscape is the flatness, and the sense of distance
* Wicken Fen, November [CP8] – watercolour, £190
The eye is drawn to cherry browns, with yellow touches in the sky, and the blue-grey rendering of the trees that skirt the scene
* North York Moors [CP7] – watercolour, £190
In the heavy blackish brown of the foregorund, there is a detail of green, with, in the distance, a wash of cloud, and bluey-purple hills
Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
More views of – or before – Cambridge Film Festival 2015 (3 to 13 September)
(Click here to go directly to the Festival web-site)
22 July
On 12 July, a day had been planned – despite the rain, which was not light at one stage – to visit the Cambridge Open Studios displays of three favourite artists...
Anna Pye
And now :
Gina Ferrari
Then (after elderflower at Anna's) a no less welcome invitation from Gina Ferrari (@FanMyFlame) :
Cathy Parker
Later, deliberately to see Cathy Parker’s work (which had been long admired, and often got one’s literal vote, at exhibitions by Cambridge Drawing Society), one ventured out to the church of St Mary the Virgin (?*) at Swaffham Prior : there turned out, still, to be relatively little of Cathy's on display (although there were some unframed works, notably a watercolour, Wicken Fen, Baker’s Fen [UF7]), but one engaged more with it than with that of her fellow exhibitors.
Here are some highlights, described :
* North York Moors [CP2] – oil, £290
The view is characterized by ruddy clouds, with water represented, as it recedes, by purples and violets – what we feel most clearly in the landscape is the flatness, and the sense of distance
* Wicken Fen, November [CP8] – watercolour, £190
The eye is drawn to cherry browns, with yellow touches in the sky, and the blue-grey rendering of the trees that skirt the scene
* North York Moors [CP7] – watercolour, £190
In the heavy blackish brown of the foregorund, there is a detail of green, with, in the distance, a wash of cloud, and bluey-purple hills
A good round of visits during Open Studios – before needing to make it to Saffron Hall (@SaffronHallSW) to review Neil Brand's (@NeilKBrand's) score for Blackmail (1929), performed by The BBC Symphony Orchestra (@BBCSO), conducted by Timothy Brock
End-notes
* None of the web-sites seemed, despite the fact that there are two churches in one churchyard, to take sufficient trouble to tell one which is which, so the venue was – as Cathy Parker kindly advises** – actually the Church of St Cyriac and St Julitta (dedicated, according to the detail of the Wikipedia® web-page, to Saint Quiricus and Saint Julietta)...
** She has also usefully provided images of the three paintings described : for those who like the words on their own first, they have been put in a separate posting...
Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
