Showing posts with label Dunstan Bruce. Show all posts
Showing posts with label Dunstan Bruce. Show all posts

Sunday 2 August 2015

For posting 1111, a portal-page to the TAKE ONE interviews...

More views of or before Cambridge Film Festival 2015 (3 to 13 September)
(Click here to go directly to the Festival web-site)


17 October

Interviews conducted for, and published by, TAKE ONE, a Cambridge-Film-Festival-based and mainly on-line (http://takeonecinema.net / @TakeOneCinema [formerly www.takeonecff.com]) publication [except at the time of Cambridge Film Festival (@camfilmfest / #CamFF)]




An accreting series of links, by order of interviewee's name (date of publication is in square-brackets, and the film-title links to the IMDb (@IMDb) web-page for the film) :


Claudio Zulian [23 September 2015] :
Interview with Claudio Zulian Anthony Davis spoke to Claudio Zulian, the creator of the film BORN, which screened at this year’s Cambridge Film Festival. [BORN follows the 18th century adventures of coppersmith Bonaventura, his sister Marianna and the rich merchant Vicenç, in the disappeared neighbourhood of El Bornet in Barcelona.]





Daisy Hudson [14 January 2017] :
Half Way We spoke to Daisy Hudson whose documentary chronicles her family’s devastation when they find themselves at the mercy of the housing crisis. [HALF WAY chronicles the experience of a family of three women trapped in a homeless limbo.]






Desiree Akhavan [20 September 2018] :
Interview with Desiree Akhavan Anthony Davis spoke to Desiree Akhavan at the Cambridge Arts Picturehouse recently after the screening of her film THE MISEDUCATION OF CAMERON POST. He began by asking whether she had been influenced by ONE FLEW OVER THE CUCKOO’S NEST or GIRL, INTERRUPTED






Dunstan Bruce [17 October 2014] :
A curious life We spoke to Dunstan Bruce at Cambridge Film Festival this year about his documentary A CURIOUS LIFE, which follows the winsome Jeremy 'The Levellers' [@the_levellers] Cunningham on a trip down memory lane via squids, folk-punk festival mayhem and the Battle of the Beanfield






Hammudi Al-Rahmoun Font [9 January 2015] :
Font's Othello Anthony Davis spoke to Hammudi Al-Rahmoun Font about his entertaining and provocative Catalan adaptation of OTHELLO, screened at CFF2014




Otel.lo (Othello) (2012) ~ otello.cat ~ @otel_lo



Ken Loach [6 June 2014] :
In conversation with Ken Loach Ken Loach visited the Cambridge Arts Picturehouse with his new film JIMMY’S HALL; Anthony Davis spoke to him about journalistic vitriol and corporate propaganda







Laura Rossi [17 October 2014] :
Interview with Laura Rossi Anthony Davis spoke to composer Laura Rossi about her experience writing music for BFI Silent Film JANE SHORE (1915), currently touring the UK








Magali Pettier [28 August 2015] :
Addicted to Sheep Anthony Davis spoke to Magali Pettier, farmer’s daughter and director of ADDICTED TO SHEEP, which follows a year in the lives of two sheep farmers.





Mar Coll [27 September 2014] :
[Appended to Rebecca Naghten's] review of We All Want What's Best For Her (2013)
Anthony Davis spoke to director Mar Coll after the screening, focusing on the mental-health-related themes in the film. (An extract of the interview follows.)





Marc Quinn / Gerry Fox [23 July 2015] :
Interview with Marc Quinn & Gerry Fox [Although there is now a link to the full interview] On 23 July the Arts Picturehouse screened MAKING WAVES, a documentary in which Gerry Fox records one year in the life of Marc Quinn. The film delves into the nature of creativity, following Quinn across the globe. Shortly before the post-screening Q&A we spoke to director Fox and subject/artist Quinn about his notorious “shit-head”, his bromance with Fox and the film’s examination of Quinn’s Warhol style “assembly line of art workers”.





Raf V. [11 February 2018] :
Vlogumentary joy with Rafael V. In his 2017 documentary JOY, vlogumentary maker Rafael V. asks what it means to be happy – where can we find joy ? A few months on from the film’s release, Anthony Davis caught up with Rafael to discuss his personal approach to cinéma vérité, reflect on what he learned from making this film, and find out about his next project.





Toby Amies [6 November 2013] :
Interview with Toby Amies Filmed predominantly in his cave, haven, call it what you will, of a council flat, Toby Amies’ touching portrait follows ageing maverick Drak [self-styled Drako Zarharzar] as he goes about his everyday life, or rather his every second. Anthony Davis spoke to Toby Amies following the screening at Cambridge Film Festival.





William Fowler [12 October 2012] :
Interview with William Fowler Following the collection of works, featuring or directed by Bruce Lacey, that he brought to the 2012 Cambridge Film Festival, I spoke to William Fowler, who is Curator of Artists’ Moving Image at the BFI (British Film Institute [@BFI])






Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Sunday 26 July 2015

Film Festival frenzy (#CamFF 2015)

Recollected in tranquillity : Cambridge Film Festival 2014 (#CamFF)

More views of or before Cambridge Film Festival 2015 (3 to 13 September)
(Click here to go directly to the Festival web-site)


27 July

Recollected in tranquillity :
The bustle that was Cambridge Film Festival 2014 (#CamFF)

Cambridge Film Festival (@camfilmfest / #CamFF) is just around the corner from putting on its big show again amazing to think that, when one first attended screenings there, all the programming was for a one-screen cinema, and one almost took for granted getting to see the new Woody Allen early…

As the Festival gears up for the thirty-fifth time (that’s where, behind the scenes, the frenzy comes in !), no less, a little moment to reflect on last year…


* Well, one was seeking to promote the Camera Catalonia (Catalan) strand, by providing reviews ahead of the screenings : a double pleasure, first to do so, and then to see how beyond the confines of 'a screener', watched on a laptop the full potential of the image blossomed in proper screenings


Composer Ethan Lewis Maltby, on the far right, during the Q&A for Fill de Caín (Son of Cain) (2013) (with Ramon Lamarca next to him, and director Jesús Monllaó)


* Relatedly, meeting and interviewing three Catalan film directors and happening to take two of them punting on the Cam (and even giving one a punting lesson)


Punt pupil (and film director), Hammudi al-Rahmoun Font


* Plus lovely Festival photography from Tom Catchesides (@TomCatchesides) and David Riley (@daveriley) ! (That as well as being with the winning team of Catalan curator Ramon Lamarca, and intern-cum-interpreter Cristina Roures)



Ramon Lamarca and Mar Coll at Festival Central image courtesy of Tom Catchesides


* The chance to watch both screenings of some Festival favourites at, and see especially how Kreuzweg (Stations of the Cross) (2014) (but also Mary is Happy, Mary is Happy) (2013) repaid renewed attention



* The coffee, the chats, the news – in passing, as one dashed to different screenings – of other viewings, and the celebrated insanity of the TAKE ONE (@takeonecinema) crew (and of a Vine into which we were all cajoled, which was later banned (Not me, guv’ !)…)

* Meeting Dunstan Bruce (@dunstanbruce) for a fun, late-night TAKE ONE interview about A Curious Life (@a_curiouslife), his film on The Levellers (@the_levellers) (with a microphone-wielding editor in chief hiding under a table ?)



Dunstan Bruce


* With Screen 1 in gala mode, the warmth and energy in a film tribute to the late Tony Benn, Tony Benn : Will and Testament (2014)




* Warmth and energy of a different kind in, having guided one of the Catalan directors there, Festival regular Neil Brand (@NeilKBrand), with Jeff Davenport, playing to Menschen am Sonntag (People on Sunday) (1930), an early picture credit for Billy Wilder




* And, of course, the expected preview of the new Woody Allen, Magic in the Moonlight (2014) (and the brief delight of a vocal from Ute Lemper) a tetchy role for Colin Firth that also made some people unnecessarily sceptical of historical fact that men of his age married women of the age of Emma Stone ?












* Closing-night party ? No, sorry, one does not know anything about that !



See you at Cambridge Film Festival, daily during the eleven days from 3 to 13 September !




Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)