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Thursday, 17 October 2019

In around three initial Tweets (and then a little more), a #UCFF reaction to Rocks (2019)

In around three Tweets, a #UCFF reaction to Rocks (2019)


More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)


17 October

In around three Tweets, a #UCFF reaction to Rocks (2019)





Other (non-spoilery) comments :

* The set-up is that what happens, early in the film, has happened before ; yet, the film seems to want ‘to have its cake and eat it’, because the other things that follow it appear as if new (and, given that the starting circumstance has happened before, some of them (or the idea of them), or some of the means of finding out where someone might be, would not be new)

* The occluding of the view, when Rocks and her friends are all together (somewhere), and when we know what looms in the background even as it is talked of, establishes that group, but promises other things about the story-telling that are not given to us

* For, although it is understandable that a new person at her school would ask Rocks why that is her name, we indistinctly hear what is said so do we feel that we need never have heard her ask for the explanation – when, by then in the film, we were quite happy not to know ? (Unless, perhaps, it was an act of telling, but we were not intended to understand what she said ?)

* A film can, of course, end without an ending – Rocks does not appear to end as it does, i.e. to subvert the story-telling that brought us into these lives, or to provide a resolution that is not a resolution, and yet it does seem (unlike that in, say, Abgebrannt (2011)) to serve to take us casually away from the conundrums with which we have seen Rocks wrestle




Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

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