More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)
28 July
Having now watched the extras from the In Bruges (2008) DVD, including the one that almost makes a sort of rap by stringing together every shit-hole, fuck, fucking and cunt, I add a few further comments to my review :
* We learn that Martin McDonagh has parcelled out the two sides of his reaction to Bruges when he spent a weekend there - Ken is the part impressed by the sights and sounds, Ray the one that just wants to get away from it all and have a beer*
* McDonagh had also been quite careful that Bruges, as I found, should be another character, and, with the city's co-operation after he had selected all the views that he wanted to include, had access to all but one
* The scene atop the belfry was shot in a mock-up, reimagining how it would have been before safety-mesh and the like had been installed
* There is confirmation for the idea that the city may be a sort of Purgatory for Ray, or, at any rate, that his negative feelings about himself and what he has done mean that he cannot enter into its and Ken's desire for him to appreciate it
* In one of the extended scenes, Ray likens the balance that Ken talks of between culture and fun to a retarded black girl (culture) outbalancing a dwarf (fun) on a seesaw, and then goes on to say how he was beaten up by a black girl as a child
* The deleted scenes show that there was scope for far more references to boys and toys that did not make the cut, and justly so (although I am not sure how good it is to have these materials presented to us with the finished film)
* Other scenes suggested Ray's emotional vulnerability more strongly : he also supposes that the priest must have had it coming as a paedophile, but it is disabused that he was supporting a campaign against a housing development in which Harry has an interest
* An extended sequence with Chloe, when she jumps up, wraps her legs around Ray, and, when he says that he wants a drink, says that they should have a fuck, shows tenderness (although the scene in bed is clearly interrupted by memory affecting performance)
* It is unclear where these scenes, relating to Harry's personnel (or their foe), fit in, but we are graphically presented with a police detective being decapitated
End-notes
* Bill Bryson reports that reaction to Brussels in his travel book Neither Here, Nor There, and he is not far wrong.
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