More views of - or after - Cambridge Film Festival 2011
(Click here to go directly to the Festival web-site)
29 February
It's not just on Composer of the Week, a Radio 3 programme whose content and production I very much esteem, that, centuries after the event, musicians get diagnosed with bi-polar disorder or the like*. It's just that I struggle to think of somewhere else - or somewhere else recently - that I have heard this done.
Let's not take Robert Schumann (and I very much appreciated what Steeven Isserlis wrote in a recent magazine article, seeking to focus attention on the music), but think about Johannes Brahms: we factually know that the Intermezzi are late works, so, when Peter Donohue introduced playing four of them to-night, he had to correct himself when he said that Brahms was writing them in the face of the end of his life, when he was actually doing so, as he then said, when he had retired.
But isn't this all a bit tiresome, reading autumn notes into these works that are not there (I couldn't hear them, at any rate)? If the pieces are any good, they should be played on their own merits, not listened to with an 'Ah, now this is late Brahms' posture, when, as I have said before, we know J. S. Bach's life but sketchily, and also the exact time of composition of some works, so we are freed from these stupid and pointless games.
And I shall scream if I hear any more of this end-of-life nonsense about Scubert's final compositions!
No psychiatric diagnosis with Brahms or Schubert, agreed, but it is not letting the music be free. And, in another sphere, what about William Blake? Blake is always talked about as a visionary, but what that means is that, for all the gubbins written by way of commentary on opaque works such as Milton, no one knows what the hell they are about. Blake writes, engraves, illustrates poetry that may reach few other than himself, but, despite his claims to converse with angels, I have never - to my knowledge - heard him given a posthumous psychiatric diagnosis.
Nor, also, Sir Thomas Browne. No, it's only ever - in the literary world - people who, if they were not ever incarcerated for their mental ill-health, were certainly otherwise known to have been treated for it: John Clare and Virginia Woolf.
And, if I ever hear anyone else described as 'a depressive', I shall bellow!
End-notes
* Where are the case-notes, and who studied them?
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2 comments:
Browne did however introduce the word 'hallucination' into the English language !
In that case, he is to be thanked (for where would we - or psychiatry, as practised cod (I suspect) in A Beautiful Mind (2001), or with a certain bluntness in the UK's plentiful psychiatric units (where, at any one time, so many thousands are to be found, many of whom, in a first admission, have been put on powerful neuroleptics with horrible side-effects for no good reason - other than it's an easy way to deal with them) - be without it?), and you are to be commended for having imparted this information and helped give birth to this grotesquely distorted pastiche of a sentence!
If there is any light to be shed about the significance to Browne of the quincunx, the floor is yours...
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