Showing posts with label William Cornysh. Show all posts
Showing posts with label William Cornysh. Show all posts

Friday, 13 July 2018

Pure review-notes : The Sixteen perform in York Minster during York Early Music Festival 2018

Pure review-notes : The Sixteen perform in York Minster during York Early Music Festival

More views of - or before - Cambridge Film Festival 2018 (25 October to 1 November)
(Click here to go directly to the Festival web-site)


For those for whom waiting for a fully written-out account is needless, because the review-notes suffice, here they are for The Sixteen's performance, in York Minster and as part of their Choral Pilgrimage and during York Early Music Festival, on Wednesday 11 July at 7.30 p.m.

The Sixteen

Britten ~ A Hymn
Serious, but not solemn - affecting, praise and celebration

Cornysh ~ My love
Just males
A work that subtly grows, and also through the element of hearing the refrain repeated

Britten ~ Hymn to
I - dramatic touches and harmonies

Use of the more restrained chorus

II - playfulness continues, with lightness of touch

Chorus - with greater gravitas, but transparent and joyous

III - the effect as of rain-drops
With a super solo, the scale and scope of what Britten creates
Fire - deep bass
'With fire' - emphasis

Cornysh ~ Salve Regina
A rich, layered setting, which, at times, seems rooted in plainsong
Full of beauty and gracefulness

II - Virgo mater section - timelessness
Soaring end with 'O pia'

III - Simple 'o dulcis Maria', but decorated
Boost on 'Salve'


* * * * *


Sixteen Part II

Britten ~ Advance Democracy
Paced and vigorous

Cornysh ~ Ave Maria
The melismatic, imitative lines were brought out in a coherent and robust ensemble

Cornysh ~ Woefully Array'd
A multi-entry opening to a piece whose premise reminded of Dietrich Buxtehude's Membra Jesu Nostri
High and low - then filling in in-between
Echo of opening with 'woefully'
II alto voice

Cornysh ~ Ah, Robin
At times, a round for three voices
Not complicated, but effective

Britten ~ Sacred and Profane
I - revisiting Sainte Marie x3
II - Interruptions
III - covering ground quickly (as VIII)
IV - Same theme in ll. 1-2
V - still point (Leiermann)
Tortured and painful
For the luve
Meditation
VI - Use of a chorus - chilling
VII - challenge to us

Assembly of the texts
Ending with the grave




Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)