More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)
12 August
As an enthusiast, I cannot help watching What's New, Pussycat? (1965), and wonder what it would have been, if Woody Allen's script from the swinging sixties had been kept intact.
There are traces of what seems his humour in exchanges such as when Victor, played by Allen, is told I can't make love with a person in the closet!, and he retorts to ask how many people, then, does she need in it? If it was his entire screenplay, which I'm sure that I gather that it was not, would that have had a chase with go-karts towards the end, before a muted non-sequitur finale?
As it stands, the plot takes us from A to B just about, but probably the most entertaining aspect of it is from when Ursula Andress literally drops into shot, exuding unashamed sex appeal, albeit as an implausible parachutist with what others like to call 'no back story' - what Thurber called Sex ex machina. Otherwise, that is when the film itself descends into the weakest and most stupid of farces, probably pretty unworthy of the relative sophistication of what went before.
When still in Paris, we see little but interiors, the most 'charming' being Victor's artist's garret, complete with tree-trunk staircase, but the most winning outside shots are of where Dr Fassbender (Peter Sellers) and his Wagnerian wife live, and are having an argument about his relations with patients at the outset. Sellers is terrifically funny, with his immaculate timing and delivery, not least in this scene, where Allen's writing shows.
Allen himself has limited opportunities to shine, though he does, and Romy Schneider excels in a trio with Capucine and Paula Prentiss, all after the body of Michael James (Peter O'Toole). O'Toole's comedic flair, as more of a straight man than Sellers, is also to the fore as this suitably unreal sex-magnet, and they bring this skit on sex and attraction up from two stars to three.
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A bid to give expression to my view of the breadth and depth of one of Cambridge's gems, the Cambridge Film Festival, and what goes on there (including not just the odd passing comment on films and events, but also material more in the nature of a short review (up to 500 words), which will then be posted in the reviews for that film on the Official web-site).
Happy and peaceful viewing!
Showing posts with label Ursula Andress. Show all posts
Showing posts with label Ursula Andress. Show all posts
Saturday, 11 August 2012
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