Return visit to Alphaville

This is a review of Mary is Happy, Mary is Happy (2013)

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2 September (updated 17 September - Tweets added, 10 January 2015)

This is a review of Mary is Happy, Mary is Happy (2013)

Some may be disconcerted by the subtitles seeming to be in advance of the dialogue, although largely they lag (if not synchronized) : if that seems like it is a problem to your sort of viewing (of course, it may not be deliberate (please see below), though that seems unlikely), read no further :

Do not make a date with your second chance to see a screening of Mary is Happy, Mary is Happy (2013) at Cambridge Film Festival / #CamFF 2014 (Thursday 4 September at 6.00 p.m. in The Queen’s Building, Emmanuel College)

Those staying with this review can safely be told that there are lots of black-outs, big pink capitals that announce the advancing months, jump-cuts and quick cutting, and both a skilful use of a limited number of locations and an unshowily impressive performance by Patcha Poonpirya (Mary). Nor will it spoil things to know that an incoming head teacher turns Mary’s school’s status from day to boarding, stores and promulgates his own-branded coffee and soup, and that (not introduced by him) her fellow schoolmates wear tops that, in autumn 2012, state :

SCHOOL
1983
SPORT DAY
SENIORS

Yet, although set in and around a school, with Mary's best friend Suri, it is not a coming-of-age film, but one that challenges the notions both of what we expect from cinema and of what we think that reality is. If that is still seeming like a little too much, some of us may be doing some rearranging to be able to watch the film again, but please feel free to alight now.

Nothing draws attention to a budget that must be modest, except that one continues to nudge oneself, impressed by the quality of what one sees, with its search for photography’s magic hour, for (in the title of a series of booklets) Calculating Future Probability, and for recognition that The mouth does more damage than the hand. The film plays to its limited resources, with sly repetitions, variations of light and angle, and that disjunctive use of text.

Which is where some make much of the fact that, centrally on the screen, and most often with a click as they appear, are words, mainly not in English script, but with an unvarying line that appears underneath : Expand / Reply / Delete / Favorite, which may mean little to those who do not Tweet, but which would (before Twitter changed its format) be the line beneath only one’s own Tweets* (i.e. broadly short, public messages (a maximum of 140 characters, including spaces and punctuation), as one cannot delete another person’s Tweets, only (broadly speaking) choose not to see his or her Tweets any more).

What seems of much more interest than whether these are real Tweets from an account in the name of Mary Malony is the fact that this film is steeped in cinema, so much so that Mary’s form has a class – announced by a painted board in the background – in which her film-script is being discussed. Not in the knowing sort of way (which some might associate with Holy Motors) that tries to make you feel that you ‘should’ know all the references (or admit your inadequacy), but that uses film as a dynamic and creative medium, whose capacity – if we enter into it – is enhanced by the image that we watch is writ so large, and being able to explore cinematographers and directors’ works when one learns how they have been an influence on what interests one (though that latter feature is not unique to film).

Here, although the quiet pulse that ran through the film was that of Jean-Luc Godard (those incongruous scenes where the paramedics suddenly appear, the moodily evocative setting of the disused railway-lines, and a US diner full of bike helmets and cake…), it was nonetheless pleasing to have confirmation in the form of open acknowledgements, towards the end, of him and of Nouvelle Vague.

Director Nawapol Thamrongrattanrit has not just absorbed Godard’s key work, but has given it a fresh, strong spirit, and this film is sure to have filmgoers revisiting it to share his enthusiasm.

On again, at the very least, on Thursday 4 September at 6.00 p.m. in The Queen’s Building, Emmanuel College

Postlude

Watching a second time did not bring very much more into focus, but was more of a battle - albeit a successful one, maintaining the original view of this film - with a sceptical inner voice, which sought to argue that the film was not as strong :

Just picture how it feels to get a friend to watch something that one things highly of, and then seeing it through what one imagines are his or her eyes.

Quite a test to pass - and it also gave a chance to catch the subtitles and the midline Tweets that were in English !



Postlude by Tweet :

Some of us saw @MaryIsHappy_ first at @camfilmfest and rate it very highly indeed, @everyfilmdteled ! : http://t.co/QprWyruHXl #CamFF 2014
— THE AGENT APSLEY (@THEAGENTAPSLEY) January 11, 2015

End-notes

* The question being : how could these be the real Tweets of another person, if the person reading them has the privileged option to delete ? That said, @marylony, the Twitter account that the Festival booklet names, does exist...


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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

From 11F2 to you : But the delivery service never makes a mistake

This is a review of The Lunchbox (Dabba) (2013)

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8 May

This is a review of The Lunchbox (Dabba) (2013)

A beautiful film about the things that we say, and transport of all kinds (e.g. by train, emotionally, and to convey), The Lunchbox > (Dabba) (2013) is prudently packed with metaphors, none of which are leant on, but which give great richness.

It is rightly said that Irrfan Khan (Saajan Fernandes) excels in this film, which he does by pacing, by small facial gestures, and by his sheer humanity, but so does Nimrat Kaur as Ila, with the central group of characters completed by Nawazuddin Siddiqui (Shaikh) and Yashvi Puneet Nagar (Yashvi). Other characters, we either never see (Auntie, played by Bharati Achrekar), or might as well not have (Nakul Vaid’s Rajeev) : Auntie, though invisible, proves more kindred than some.

Contrary to @THEAGENTAPSLEY's expectations, a beautiful film, not a schmaltzy one, in The Lunchbox (Dabba) (2013) - many elements / facets !
— THE AGENT APSLEY (@THEAGENTAPSLEY) May 9, 2014

The film, set in Mumbai, revolves around trains, but without ever being about them, except as passing social commentary on the Westernizing influence of, amongst various matters, commuting. It starts and ends with a train, pleasantly leaving us in the dark, right in the beginning, as to what we see, but later letting us sometimes be one step ahead of the game. The central medium of the lunchbox, carried far and wide, bears many an import : as blind Cupid, the happenstance that other modern styles of media (such as Twitter®) can give rise to*, as a barometer of the feelings and of interest and appreciation (Twitter® again, with fire-fights, or e-mail (also mentioned, but unseen)), and of what sharing is, whether of food with another (we see some highly contrasting contrasting meals) or via the delivery service.

Sending something of oneself to another place, and what life is and concerns itself best with, these are the matters that The Lunchbox devotes itself to**. Unafraid to look matters such as stagnation, ageing, death, suicide and the content of a lifespan in the face, the film sets them in relief against the revolutionizing potential for good in (being open to) change. Hopes and fears, encouraged or allayed by Auntie at first, transmute into the aspiration for a place elsewhere, which could be Bhutan, which is not shown (but maybe familiar from Michael Palin’s excellent series Himalaya).

En route, the façades that, if we are honest with ourselves, we all should know that we put up of withdrawing into our nutshell and becoming ‘the king of infinite space’ (Hamlet), or, equally, of embracing some new way without heed to its impact on ourselves and / or on others – taking a lover, ‘exploiting’ an opportunity, closing our heart. Clinging on to what we find that we have really been resenting or needlessly protecting is exemplified by the realization made by Ila’s mother, or by the little girl who shuts Fernandes out from what he can see (symbolically, too), whereas his sense of something good, right and different is palpable when we see him open the lunchbox, almost as if the aroma came to us alongside how fine the food looks.

Yes, it is partly what some like to call magical realism, with the delivery system that has been endorsed by Harvard Business School as the engine for change with a life of its own (despite the customer-service response from the local representative’s denials), but this is not the hackneyed topos of the mystique and draw of India that The Best Exotic Marigold Hotel (2011) depicts.

Instead, writer / director Ritesh Batra has fully absorbed the examples given by works such as Gabriel García Márquez’s One Hundred Years of Solitude or Jorge Luis Borges’ ‘The Lottery in Babylon’, and there is a seamless integration of medium and polymath message. Neither a rough ride, nor striving just to feel good, this film even gives us little flavours of themes such as those of The Double (2013) (in the government offices, devoid of technology, and of people seeking to get / hang on), and maybe even The Matrix (1999), in looking beyond the life that we take for life…

With camera-angles to wallow in and a controlled use of light, not to mention an insightful triptych mirror-scene, the film is as wonderfully put together as it is acted. Max Richter, in at the start with his score, is on very good form, and the result of this endeavour is a film that is moving and intelligent : it does not just entertain, but with the pretence of a big message of Small is beautiful (You’ve Got Mail (1998)), or needlessly and provocatively revel in the epistolary power to corrupt (in Christopher Hampton’s adaptation for Dangerous Liaisons (1988)), but engages with the questions that we may avoid even acknowledging as twentieth-century citizens.


End-notes

* Though the Comedy of Errors and Romeo and Juliet, more than 400 years ago and to name but two, both manage very well in rely on the potential for, respectively, fortuitous and calamitous (mis)communication…

** And it may not just be coincidence, for what it is worth, that Khan is part of Slumdog Millionaire (2008).

*** Almost racist in its suggestion of the primitivism of different ways, just as the very flawed Vicky Cristina Barcelona (2008) feels to be in its transplanted setting of the Catalonian capital for the original one of Los Angeles.


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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Article in The Guardian as popular as Crocodile Dundee's snake in a lucky dip ?

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10 August

To my mind, such of the mental-health community as has been lashing out at Giles Fraser's article Taking pills for unhappiness reinforces the idea that being sad is not human has missed the point :


Typical comment on Twitter says that Fraser does not know what depression is, whereas I believe that those readers have not troubled themselves to understand what he is saying, and, therefore, he is just as misconstrued as those who experience / have experienced depression often are.

Far be it from me to defend Thatcher, whose beliefs and policies I despise, but I no more believe that her There is no such thing as society speech was given a fair press* than this article :


1. Fraser's first two paragraphs, i.e. setting the context for the rest of what he talks of, are about his behaviour at school, how children who behave like that now may be diagnosed with ADHD, and may even be prescribed ritalin.

2. Anyone who has watched the documentary Bombay Beach (2011) will have seen Benny prescribed with anti-psychotics, which I find even more horrifying.

3. The third paragraph I come back to, though the effective point is that, just as diagnoses of ADHD and prescriptions have risen sharply (there are nearly four times as many in just eleven years), so have prescriptions for anti-depressants.

I do not read what Fraser says here as saying that his experience amounts to depression, but the opposite, i.e. that it does not.

4. The fourth paragraph talks about how chlorpromazine (thorazine in the States) and other medications came to be used for the purpose of altering mood in psychiatry, and were originally used for treating infections.

I see nothing much wrong in inferring that, if a medication can be licensed, manufactured and prescribed for some other purpose, then the pharmaceutical industries have a motive for promoting them.

5. Fraser does not report them, but some recent studies have been quoted where it has been shown that the effect of anti-depressants is no better than a placebo. If true, that not only casts doubt on why the NHS spends money on them (or we take them), but also strengthens what Fraser is actually saying.

6. In his final two paragraphs, he brings together the industries' desire to make and market products with that of GPs to do something for patients (either because the patients are distressed and ask, or because, in any practice, there will be GPs who are 'more interested in' the physical side of health, and who maybe do not know better than prescribing when others would not).

7. Fraser has been demonized as if he does not know what depression is, whereas I follow him as saying that maybe things that are not depression are treated as if they are.

No one who knows how little training GPs (primary health, as it is called) are required to have in mental health would :

(a) Go to his or her surgery without establishing which doctors lean towards it, or

(b) Believe that the fact a doctor has prescribed means that it was appropriate, or that a referral to secondary mental health services, pressed as they are, would even be accepted.


To suggest that Fraser's article is really of a Pull yourself together kind is, I think, a hasty and ill-judged reading, stemming from anger and disappointment at believing depression to have been written off.

However, he would have done well to make clear that he is not disputing that depression exists, only that treating people as if they have clinical depression (i.e. without their having symptoms such as anxiety, waking too early or sleeping too much, not feeling much - or anything - emotionally, etc.) is not really doing them a favour.


End-notes

* Since I gather that she meant just the opposite of what people claimed - still, it all helped remove her.


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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Bonding ? Schmonding !

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9 March

Time for a rant - a rantlet, for lack of time...

Yes, I am happy to originate a term, but I will not adopt one that makes no connection with - no sense to - me, such as male bonding:

1. 'Bonding' was what superglue was supposed to do, when one bought an expensive, fiddly little tube of stuff that did precious little for one's sanity, when it went everywhere but the target, made one fear for sticking one's fingers together for eternity, and ultimately stuck nothing to nothing.

2. Moreover, there is no such thing - as far as I am aware - as female bonding, so the implication is that men are just useless at opening up to each other on any real or emotional level, and need special sessions.

3. There's the Pratter hashtag (God knows why they are called that !) #EverydaySexism - is referring to 'male bonding' that ? Yes, just like man flu, it is.


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Twitter and Facebook: making language a dying art? (a report from Varsity)

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29 January

This story is carried by Varsity, but, since I do not go near Arsebook, I must post my comment here:

When, more than thirty years ago, there was a Cambridge Collegiate Examination (CCE), the only applicants who did not have to take an 'essay paper' were those studying English : I have no idea when the CCE was abolished, but, before then, colleges could bear writing ability in mind prior to interview.

Are these the days that Dr Abulafia harks back to ?


Actually, what is bizarre is that, first with text-messages, then with the Tweet, we so readily acceded to the reintroduction of the telegram (for the character-limit tends to relate to some sort of cost).

What Dr Abulafia, to be an historian of such matters, would really need to show is that use of telegrams by the classes that could afford them made them as dull as he makes out the so-called social - nearly said 'facial' ! - media have made recent undergraduates*...


End-notes

* I like the alleged exchange between Cary Grant and a reporter (in which you will have to imagine the question-mark, because I do not recall how it was styled in a telegram) :


HOW OLD CARY GRANT

OLD CARY GRANT VERY WELL STOP HOW YOU



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Who's Who

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20 October

Now, for some reason, I probably had no notion of who might own IMDb (www.imdb.com), but, when an idle click on a link to jobs brought me to a page about eligibility to work in the States, and with links to Amazon.co.uk and Amazon.com, it all became a bit clearer.

We may know about offers of Twitter followers or Arsebook likes (wipes?) in return for a payment - and some people must be so desperate, as for sex, that they will pay for it - and it wouldn't be an impossibility, on that analogy, for such hired hands to vote a film up (or down), or even to make a user review seem more (or less) popular than it is. It would be quite easy to do that, let's say.

But it means that, if you think of buying, say, the DVD of Midnight in Paris (2011) from Amazon and want to look more widely than its own Amazon customer reviews, you're not actually seeing anything that's independent, and not under Amazon control, at IMDb...


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My naive little thoughts about the red-carpet treatment...

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16 October

@bfi Odd that, when a film's cast is shot again and again until the expressions are perfect, we set any store by them appearing in the flesh
— THE AGENT APSLEY (@THEAGENTAPSLEY) October 16, 2012

My recent Tweet to this effect, that, when you have bought furniture from MFI and the clothes-rail collapses, that is a wardrobe malfunction, shows how even the words that we use about film and its principals are dominated by the big business behind celebrity and cinema : after all, there is no such thing - to my knowledge - as a wardrobe function*, unless it is the costume department having an end-of-filming pre-bash !

So we have this nonsense about Angelina Jolie's bikini body, as if - in some proper wardrobe - her real body keeps Dorian Gray company, or a nip showing, or whether that look is hot or not. All of it just lazy shorthand, used not to be bothered to express something other than through what is tritely ill thought out.

And, back where we started, we pay the ticket-price to see, say, @HelenHunt, as made up in the appropriate chair for the role and the part of the film in which her character appears in the scene to be shot. A lot of time, money and expertise is spent - if people know what they are doing with the film, and her prize acting isn't edited away - to get her looking a certain way.

So why, without those lenses, make-up artistes, costumes, studio lighting - why, in hell, do we expect her to look like that, nice enough as she is, when she gets out of a car outside a big cinema? To use a stupid parallel, why watch Madonna, say, doing some car maintenance from the vantage of a nearby tree and without binoculars, when you could buy a ticket to see her act the part of, say, Lucrezia Borgia on the cinema screen? (Not that I know anything about any such film-project, you understand...?)




End-notes

* And perhaps it was only as a bit of light relief from that tired dysfunction, which every family knows about, that they chose the prefix mal-.


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A new comic-strip - Bradshaw and French

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9 August

The difference being that there's just the dialogue - the comic bit is so passé!

I say, Bradshaw, what's that thing with its teeth in your trousers?

Dunno, French, but I'll kill it off with a bad review, as usual!


Le motto: Wouldn't know a good film, if...


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NHS Choices : content reviewed

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8 June

Who's mad here*?:

Thank you for contributing to the NHS Choices website. We have removed your
contribution because we feel it is unsuitable for publication on this page. We
do not allow comments which actively seek to dissuade other site users from
following the evidence-based health advice provided.


Judge for yourself:


Commenting on http://www.nhs.uk/news/2012/06june/Pages/exercise-may-not-ease-depression.aspx ('Exercise 'still valid depression treatment')


“Exercise doesn't help depression,” according to The Guardian. The paper said that patients advised to exercise fare no better than those who receive only standard care.

Exercise is among the treatments for depression currently recommended by the NHS, with many patients 'prescribed' a course of physical activity as an alternative to antidepressant medication or therapy. Despite what several headlines have suggested, new research has not re-examined the effect of exercise on depression, but instead looked at whether giving depressed patients additional support to encourage exercise proved beneficial.

During the research, 361 adults with depression were randomly allocated to receive either standard treatment or standard treatment with additional encouragement and advice on exercise. Standard treatment can include medication, therapy and physical activity. This means that all participants could take up prescribed exercise, but some had greater encouragement to do so.

The research found that encouraging activity increased physical activity levels but did not reduce depressive symptoms more than standard care alone. This is a useful finding for NHS staff wishing to know the best way to help patients with depression. However, given that the study did not test the general effect of exercise, the results do not support the view that exercise is 'useless' for treating depression, as some news sources have suggested.

Exercise has a host of benefits for physical and mental health, which may help patients with depression in ways other than reducing their immediate depressive symptoms. These include reducing the risks of other diseases such as obesity, cardiovascular disease and diabetes.



Where did the story come from?

The study was carried out by researchers from the Universities of Bristol and Exeter, and the Peninsula Medical School. It was funded by the Department of Health as part of the National Institute for Health Research’s Health Technology Assessment programme.

The study was published in the peer-reviewed British Medical Journal.

Media reports of this story were slightly misleading, and may have given the impression that the researchers specifically tested the effect of exercise. This was not the case, as the research compared two groups of people who were offered the same range of treatments, but with one group receiving additional support and advice designed to encourage exercise. This meant that all participants had access to exercise-based treatments, but some received some additional encouragement.

The Metro newspaper went too far in saying that the study showed exercise “had no positive benefits on mental health”. The study in question looked at the effect of one particular exercise intervention programme on depression symptoms, so did not directly address other mental health problems or other exercise programmes.



What kind of research was this?

This UK-based multi-centre randomised controlled trial (RCT) looked at whether a specific exercise support programme helped reduce symptoms of depression in adults more than standard care alone. The study was 'pragmatic' in nature, which means it tested interventions in a real-world setting rather than in the highly artificial environment of many trials. For example, patients were prescribed the most appropriate form of treatment from a range currently used in clinical practice, rather than a set treatment that might not have been ideal for them. As such, the study was well designed to assess how the exercise programme would work in reality.

The authors say previous evidence suggests that exercise is beneficial for people with depression, but that this evidence has come from small, less well-designed studies using interventions that may not be practical for use by the NHS. Therefore, this latest research aimed to investigate whether depression symptoms could be reduced by an activity programme that could be practically implemented by the NHS if deemed effective.

This type of study is one of the most effective at demonstrating whether a particular health programme, or 'intervention', has a measurable benefit in patients.



What did the research involve?

The researchers recruited 361 patients, aged 18 to 69 years old, who had recently been diagnosed with depression by their GP. Participants were randomly divided into two groups, who received either usual care methods from their GP or usual care plus a physical activity intervention.

Participants were recruited if they were not taking antidepressant medication at the time of initial diagnosis or if they had been prescribed antidepressants but had not taken these for at least four weeks before their diagnosis. Patients with depression who had failed to respond previously to antidepressants were excluded from the study, as were people aged 70 or over.

Participants in both groups were asked to continue to follow the healthcare advice of their GP for their depression. This was classed as 'usual care' by the researchers. Both groups were, therefore, free to access any treatment usually available in primary care, including antidepressants, counselling, referral to 'exercise on prescription' schemes or secondary care mental health services. However, those in the physical activity group were also offered up to three face-to-face sessions and 10 telephone calls with a trained physical activity facilitator over eight months. The intervention aimed to provide individually tailored support and encouragement to help participants engage in physical activity.

Depression was measured before enrolment and then at four, eight and 12 months after the intervention to measure any changes. Depression was initially diagnosed using standard, recognised assessments, including the 'clinical interview schedule-revised' and the 'Beck depression inventory'. Subsequent changes in depression symptoms were based on self-reported symptoms of depression, as assessed by the Beck inventory score.

During a trial, researchers should aim to conceal, if possible, which treatments participants receive. This is known as 'blinding' and avoids the risk of bias from participants knowing which treatment they are getting. This study was a 'single blinded' RCT as treatment allocation was concealed from the study researchers. It was not feasible to blind the participants to which group they’d been allocated to.

The analysis of this study was appropriate and based on an 'intention to treat principle'. This means that everyone who was allocated to a group was included in the final analysis, irrespective of whether they followed the intervention or dropped out. This is good way of analysing the 'real world' effects of an intervention.



What were the basic results?

At month four, there were no statistically significant improvements in mood among participants encouraged to exercise compared to those in the usual care group. Similarly, there was no evidence that the intervention group had significantly improved mood at the 12-month follow-up compared to those receiving usual care only.

There was no evidence that the exercise intervention led to a statistically significant reduction in the use of antidepressants compared to usual care.

Using data from all three follow-up points combined (four months, eight months and 12 months), the participants in the intervention group reported significantly more physical activity during the follow-up period than those in the usual care group, which was maintained at 12 months. This suggested the activity-support intervention was successful at increasing activity levels. Importantly, the participants stuck with the intervention well and completed on average 7.2 sessions with their exercise advisor. By four months, 102 (56%) participants had at least five contacts with the advisors.



How did the researchers interpret the results?

The researchers concluded that adding an intervention to usual care that encouraged physical activity did not reduce symptoms of depression or the use of antidepressants compared to usual care alone, despite the exercise intervention significantly increasing physical activity levels.



Conclusion

This well-designed randomised control study provides strong evidence that adding an exercise-promoting support programme to standard care did not significantly reduce symptoms of depression compared to standard care alone.

While this study has many strengths, including its large size and randomised design, it is important to bear in mind its limitations.

This study assessed just one type of exercise intervention that involved facilitating greater activity levels. Therefore, this study does not tell us whether other types of support or exercise programme may have a positive effect on depression. Consequently, the study’s findings do not mean that no exercise interventions can reduce symptoms of depression, especially as there is some evidence from systematic reviews that certain types of exercise intervention may be therapeutic.

Also, there are other benefits of exercise beyond those related to mental health. The Daily Mail quoted an expert as saying: “It is important to note that increased physical activity is beneficial for people with other medical conditions such as obesity, diabetes and cardiovascular disease and, of course, these conditions can affect people with depression.” The trial did not assess whether exercise prevents depression.

Exercise has a host of benefits for physical and mental health that may help patients with depression in ways other than reducing their immediate symptoms. However, the finding that this exercise support intervention doesn’t seem to reduce depressive symptoms is very useful to NHS staff wishing to know what interventions may help patients with this condition.


So far so good?


The Agent Apsley said on 07 June 2012

OK, so what we seem to learn is that those experiencing depression, if encouraged, will tend to exercise and go on exercising, as against those with just access to information and a lower level of advice from their GP.

Well, any good habit needs to be fostered, and the best of us needs encouragement - I write something, show it to you, and, although you have suggestions for improvement, you say that it is good, and that I should write more. If I trust my judgement or yours, thinking you sincere, I might do some more writing.

Depression is marked by benefiting from prompting or encouragement for many who experience it, though the reality is that they may all too often be alone, having no partner, and can only look to friends and maybe understanding neighbours to offer words of encouragement or reminders. This quite apart from the disabling and debilitating effect of losing or not being in employment (or in employment under pressure), with the resultant likelihood of the additional stress of low income.

Obviously, then, the always rather dubious-sounding claim that, by exercising and releasing endorphins, one may imrove one's prognosis for recovery should not be the only reason for all to be encouraged to exercise. This study seems to show that the specific intervention of encouragement used did tend to give rise, if the participants are truthfully reporting their 'exercise levels' (and not just to second guess that they are supposed to say so), to the establishment of regular exercise in daily life.

Depression's not unique amongst mental-health disorders in that another's insight - 'You might feel better, if you have a shower and change your clothes' - can be a useful intervention, clearly a programme, based on GPs' surgeries and the long-overdue task of properly assessing the physical-health profile and needs of such patients, is needed to give them the kind of prompting to look to the needs of the body that those able to afford personal trainers get.


Comments welcome - here, or via Twitter®!


End-notes

* Postscript (as at 9 June)

I rather wonder whether I am: I took what had been written to me at face value, and believed that my comment had been removed, but, when I go there to see anyone else's comments, mine is still there...


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Dolmio® branches out?

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8 June

Some may know the connection - which, as most connections are, may all be in the mind* - or even the history of the connection between Italy and good coffee: they are invited to add an informative comment.


All that I know is that when, at a friend's place, I went to make (sadly, instant) coffee just now, it was in a small jar whose lid suggested that it must formerly have contained pasta sauce (or, maybe, really rich tomato puree).

From this, the brand being (or purporting to be**) from Italy, sprang the thought: this patently isn't it, but do these people sell coffee (anywhere) under that name***?


Answers to that one, please, solely via Twitter, where I have - what Leonora urges me to call - the same John Henry (q.v.).



End-notes

* After all, unless I haven't had the real stuff (when what is available is expensive enough), there isn't actually anything very remarkable about Belgian chocolates, or Swiss ones.

** My fridge and freezer - separates - bear a German trade name that belies Italian manufacture. No matter, as I was interested in the energy-rating of A, not the provenance.

*** By the way, if these good people do not, but want to thank me for the observation of what might be a gap in the market****, I shan't decline a payment - in dollars, to be on the safe side.

**** A nonsensical phrase, as, when one is in a physical market-place, buying a pitch (not least in these times of trouble) is not necessarily difficult or a betrayal of one's business cunning, and the gaps that exist, welcome though they are to find, are for navigating into, around and out of the market.


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Shakespeare in a Tweet

More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)

4 June

Yes, cousin Marmaduke and I have had to leave out a few things in our attempts to give you a play in no more than 140 characters, and maybe the wrong ones.

See what you think with my most recent one (from Twitter® - Marmaduke's there, too):

Two men mistrust the wrong offspring, and the others take power: one man goes mad, one's blinded. Both are healed and reunited before death.


If you want to Tweet, Tweet away here

Twitter® is old hat*

More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)

18 May

We keep reinventing the telegram, first with text-messages, and then with what is fondly thought of as a revolution in communications, this whole Twatter Splatter, where all these messages are generated to divert from the reality that, in just tens of years, it'll all be going on, if at all, with none of the same personnel.

But the truth is simply this: back in the late sixteenth and early seventeenth centuries, Shakespeare had to pitch every new idea for a play in the tweet form - give you it in just 140 characters.

The Bard could put over Hamlet like that, but Could you?**


End-notes

* But most of us haven't known, since the days of Laurence Sterne, that the term refers to the female genitals.

** Cousin Marmaduke and I have since taken up my own clannege (? = challenge?) with - I think - creditable attempts by each at a major Shakespeare tragedy on Twitter: by all means do what you like with us then, but find us there!


If you want to Tweet, Tweet away here