More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)
21 September
You might or might not like Jarman's style of working, and I couldn't make it all the way through Jubilee (1978), but he was patently a film-maker.
At Cambridge Film Festival last night, All Divided Selves (2011) and the demeanour of its director, Luke Fowler, gave a very different impression from that made by Jarman, and the film did not seem much like a film, and the artist - as all artists tend to do - tried, although his language kept tripping him up*, to distance himself from the idea that his work said something or had a message.
The message that All Divided Selves had consisted almost entirely of Laing talking, often enough with visuals, about psychiatric conditions and his personal and cultural background, plus some others talking with or about him, his theories and psychiatry in general. As it is not difficult to pull quotations out of Laing's works, let alone footage, that says something pertinent to us and to now, then there may be no great merit in having done so, even if you have embellished the enterprise with bits and pieces that you have shot.
Conclusion : Would I prefer to have the chance to see Tacita Dean's FILM 2011 from Tate Modern's Turbine Hall again and have it substitute for my memory of Fowler's film? Yes!
End-notes
* He seemed not to want to say 'illustrative', but nonetheless kept saying it, so drawing atention to a word that he purported to eschew.
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A bid to give expression to my view of the breadth and depth of one of Cambridge's gems, the Cambridge Film Festival, and what goes on there (including not just the odd passing comment on films and events, but also material more in the nature of a short review (up to 500 words), which will then be posted in the reviews for that film on the Official web-site).
Happy and peaceful viewing!
Showing posts with label Turbine Hall. Show all posts
Showing posts with label Turbine Hall. Show all posts
Friday, 21 September 2012
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