Movies you consider to be absolutely PERFECT… You wouldn’t change a single thing about them : #UCFF's Four Films

Movies you consider to be absolutely PERFECT… You wouldn’t change a single thing about them

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

28 July

Movies you consider to be absolutely PERFECT… You wouldn’t change a single thing about them : #UCFF's Four Films

What are 1-4 movies you consider to be absolutely PERFECT… you wouldn’t change a single thing about them? pic.twitter.com/PO2yd0yXnn

— ✨ Hollywood Yesterday ✨ (@HollywoodYeste1) July 28, 2022

Chronological order :

1) Offret (The Sacrifice) (1986) pic.twitter.com/eI1wMx7NqF

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 28, 2022

2) Le mari de la coiffeuse (The Hairdresser's Husband) (1990) pic.twitter.com/HdYVFElp3P

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 28, 2022

Bonus pics ! pic.twitter.com/Mgn7sK9B1V

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 28, 2022

4) Kosmos (2009)

ENDS pic.twitter.com/RTNcrL6rfV

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 28, 2022

If you want to Tweet, Tweet away here

Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Three Tweets [maybe more ?] about Woman at War (2018)

Three Tweets [maybe more ?] about Woman at War (Kona fer í stríð) (2018)

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

16 May

Three Tweets [maybe more ?] about Woman at War (Kona fer í stríð) (2018)

A film that leaves #UCFF in need of a @Laphroaig - #womanatwarfilm - does not necessarily do so in a good way :

Not least during #MentalHealthAwarenessWeek, it isn't - properly understood - 'Hilarious and heartwarming' at all [as, one sees, @vulture appears to have described it] pic.twitter.com/k1dYzc9Dyz

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 16, 2019

A publicity poster for a paperback edition of Jordan B. Peterson's 12 Rules for Life - which had only been photographed for the purposes of ironically critiquing yet more fostering of the illusion of individualism (no better than many a cult ?) - now proves apt for other reasons. pic.twitter.com/MNpqA6y8Cd

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 16, 2019

Superficially similar to Rams (Hrútar) (2015), with its sororial element / rootedness in the Icelandic landscape, this film mixes the mayhem that comes from mistaking who Roger O. Thornhill is with the dual identities of Salt (2010) and comes up with something disturbingly dark.

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 19, 2019

Postlude (with TAKE ONE) :

Meanwhile, over at https://t.co/mu8pD8p7oe, a discussion at @TAKEONECinema !

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 21, 2019

If you want to Tweet, Tweet away here

Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)