More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)
13 December
In a not a very humble opinion, claiming bi-polar / schizo-affective rights*, Th'Agent will say that :
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) December 13, 2021
C'mon C'mon (2021) is mightily deserving of your non-generic attention, and
Excellently acts as a companion to Her (2013) - they talk to ea. oth.
* Or bi-polar depression ? pic.twitter.com/g0u6drg8WF
The latter's in the representative (for once !) trailer, plus another reminder of the excellent ethos and work of Kirsten Johnson, whose @Cameraperson16 (2016) is now overdue for #UCFF to re-watch :https://t.co/bCV1CpatBd
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) December 13, 2021
['All the raw edges, but with respect and compassion']
Impossible to think in such terms ?
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) December 20, 2021
However, in C'mon C'mon (2021) - with the words Buy / BYE, above each other on a nearby building and backgrounded by the cab - Jesse gets into the back, with barely a word to Johnny.@cmoncmonmovie has at least six other verbal cues / clues !
Knock-out reading of Star Child here ! :https://t.co/6Mo38orB7V https://t.co/3CbrWOqJyl
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) December 15, 2021
But, of course, Butler's tale and its telling are themselves beautiful, wise and useful to us - if we knew of their existence.
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) December 15, 2021
The link, in #UCFF's case, must have been either Martin Gardner's Annotated Alice or from somewhere in the tales and re-tellings of Jorge Luis Borges...
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More to come... ?
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
