Showing posts with label Peter Bradshaw1. Show all posts
Showing posts with label Peter Bradshaw1. Show all posts

Wednesday 20 July 2016

Starting with @PeterBradshaw1's @guardian 'review', some Tweets at and after Sheffield Doc / Fest about The Hard Stop (2016)

Some Tweets at and after Sheffield Doc / Fest about The Hard Stop (2016)

More views of - or before - Cambridge Film Festival 2016 (20 to 27 October)
(Click here to go directly to the Festival web-site)


20 July

Starting with @PeterBradshaw1's @guardian 'review', some Tweets at and after Sheffield Doc / Fest about The Hard Stop (2016)














Next, engagement with the Every Film in 2016 review from Neil White (@everyfilmneil ~ http://everyfilmblog.blogspot.co.uk) :




More to come...




Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Sunday 19 June 2016

From Sheffield to Southwold* : Planning one's time... (work in progress)

More views of - or before - Cambridge Film Festival 2016 (20 to 27 October)
(Click here to go directly to the Festival web-site)


19 June onwards




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Tippett & Britten II ~ Saturday 18 June at 3.00 p.m. ~ St Bartholomew's, Orford










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End-notes

* For, respectively, Sheffield Doc/Fest and Aldeburgh Festival** : in 2016, their respective 23rd and 69th incarnations (they bear a relation : for example, one is one-third the age of the other, one may note).

** No doubt (?), Peter Bradshaw (@PeterBradshaw1) would wish to insist that Aldeburgh is, properly, Aldeburgh Festival of Music and the Arts ?




Judging, at any rate, by his word-wasting pedantry (please see below) in ‘Alice Through the Looking Glass review – large as life and twice as phoney’, his a skatingly thin review of Alice Through The Looking Glass (2016)...



Bradshaw takes, that is, many a word (a sentence of thirty-four, in fact) to make yet another highly catty observation about this work (even if the film may not bear examination, as, for some, its Burton-directed predecessor did not...) : Using only the title and some characters from Lewis Carroll’s own 1871 sequel – in fact called Through the Looking Glass, and What Alice Found There [The Agent’s emphasis] – this new movie is just machine-tooled CGI fantasy fare’.






Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)