More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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St Cecilia's Day (22 November)
Today my thoughts are of my darling, wonderful, kind and brilliant husband Stephen, who died three years ago this St Cecilia’s Day. pic.twitter.com/iOJfzyKk9f
— Emma Cleobury π¬π§π΄σ §σ ’σ ·σ ¬σ ³σ ΏπΊπ¦ (@EmmaCleobury) November 22, 2022
The Essay's just as obviously a recorded programme - @billybragg's Ode to Essex was no more in the studio, live, than A. L. Kennedy with to-night's - as when Night Tracks is next [@BBCRadio3 most weekdays from 11.00 p.m.] :https://t.co/TjpZJ4SJPMhttps://t.co/R6vWD8ABcp
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 22, 2022
1 / 3
A qualitative difference, or only in relation to a quantitative one ? :
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 22, 2022
With intro and closing credits, The Essay's 13-14 mins, and, likewise, the In-Tune Mix-Tape (introduced by Sean or Katie, as the usual @BBCInTune presenters), it's probably circa 29 mins, whereas...
2 / 3
Mondays to Wednesdays¹, Night Tracks is till 1.00 a.m. - at 2h, a scale that's somehow unlike, say, pre-recorded [or re-broadcast] evening concerts (with an interval, etc.) ?
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 22, 2022
For some, the trade-off's of curated sequences [not, to start, of this quality] over company... ?
3 / 3
However, as the voice of @SaraMohrPietsch³ corrected me (at midnight), the programme's on till 12.30 a.m., so 90 mins or 1½ hrs - must've been thinking of Late Junction on a Friday... :)
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 23, 2022
³ At c. 11.20 p.m., a piece of Mendelssohn was also played for those awake with worries. https://t.co/wFDBepf0HU
Those born on that day (in that year), etc., might have other views...https://t.co/UBmFFUICzO https://t.co/5Mh2IN49wq
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 22, 2022
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
