This is a review of The Way Way Back (2013)
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5 September
This is a review of The Way Way Back (2013)
* Contains moderate spoilering, and a bit of swearing *
I defy anyone to dislike Sam Rockwell as Owen in The Way Way Back (2013)*. (I probably should not do too much defying, or I might end up like the film's odious Trent (Steve Carell), telling people who they are or what they think.)
As I Tweeted :
Anyone who ever had a pivotally inspirational figure in his / her life can relate to #TheWayWayBack: I found Sam Rockwell totally enjoyable.
— THE AGENT APSLEY (@THEAGENTAPSLEY) September 4, 2013
The odious Trent, possibly unconsciously, seems set on crushing Duncan, nicely brought about by Liam James - he is the sort of man that he is probably a bit like Reggie Perrin's CJ, in that he did not get where he is to-day without making bogus and manipulatively one-sided 'deals' with people.
Thankfully, the excruciating embarrassment of the characters sizing each other up at the Riptide, the holiday home from Trent's previous relationship, diminishes as Owen and Water Whiz (apparently a real place) hove into view. A little bit like Steve Martin being energized, but largely his own man, Rockwell is the dad whom Duncan does not have / no longer has, as puerile Trent cannot resist grinding Duncan with.
The water-park becomes that sort of home-from-home that we know so well all the way to Alice and her adventures via Dorothy and Kansas / Oz and even into a recent Thai film that was in my top three from last year's Festival, Postcards from the Zoo (2012)** (let alone Midnight in Paris (2011)).
Yes, we root for Duncan, and laugh with him, even despite him, and Owen is no saint, but he is humane, comfortable with himself (most of the time), encouraging. No more than that needs be said - watch the film, relish a world beyond the cringeing hypocrisy of people pretending, and find the punctuation-mark !
End-notes
* With its silent punctuation.
** The zoo is a sort of Eden, but Water Wizz is more flawed, although caring and compassionate, taking in Duncan as he is.
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
