#AldeburghFestival2019 [This posting is a place-holder]
More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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20 June
#AldeburghFestival2019 [This posting is a place-holder]
Just for these views, well worth doing a river-cruise at @snapemaltings ! pic.twitter.com/OtaOkpTwOO— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 22, 2019
Sunday 16 June ~ Britten and Bridge
The Britten Studio at 4.00
Or, still as Part I, but swapping 2 and 3 ?— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 16, 2019
Or did it need to be Part I (not II) ?
The thinking being that Holst seemed to have had something to say to Harvey, but less so to Britten, even if we moved on in time...
Of course, one's spoiled by @BrittenSinfonia programming !
Always good to be at the @PloughandSail, and necessary to have one's non-musical space here when at @snapemaltings for Aldeburgh Festival [for Music and the Arts] :— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 16, 2019
Very glad to hear @VLuminis again for to-night's and Tuesday's concerts (duck terrine and sea bass to follow) !
Sunday 16 June ~ Vox Luminis II
The Snape Maltings Concert Hall at 7.30
A report by Tweet on Vox Luminis II at #AldeburghFestival2019
In the opening setting by Britten of Dryden (with a second Ode to Saint Cecilia to come), @CLuminis gave us moments of hushed voices and diction that didn't need the text. When it came to Handel's 'Dixit Dominus', the packed audience was even more esctatic !— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 16, 2019
Monday 17 June ~ Schubert 1828
The Snape Maltings Concert Hall at 7.30
At @snapemaltings, so moving to hear The @DiotimaQuartet play that familiar movement from a G Major Quartet, and so feelingly played, in the context of Schubert 1828 : Schöne Musik, schön gespielt :)— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 17, 2019
#UCFF could not resist, having heard the beauty and insight of last night's playing, buying a ticket to hear the last of Schubert's String Quartets in full (on some numbering, No. 15) :— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 18, 2019
Thank you, #AldeburghFestival2019, and see you for 11.00 ! :)
[...]
Some like to diagnose both Schubert's mental health and how what killed him, in physical terms, must or might not have been evident to him : yet, as with an over-fascination for the Mozart and Salieri story / stories, is it only now that Antonio Salieri's work gets reconsidered ?— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 18, 2019
Tuesday 18 June ~ Il Quatuor Diotima
Aldeburgh Parish Church at 11.00
For #AldeburghFestival2019, #UCFF was delighted to be back at Aldeburgh Church, and @THEAGENTAPSLEY both to be led into the worlds of Karl Szymanowski and Thomas Larcher by @DiotimaQuartet and to get their autographs on the programme ! pic.twitter.com/D7RVI7chOx— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 18, 2019
Tuesday 18 June ~ Britten and Blake
The Britten Studio at 4.00
The singing, of course, of @Sviceridor in no way made it necessary to have the words, and as Clare alumnus Andrew West and he concurred, the biting nature of the setting - the Blake, too, is snarling - leaves one not wanting more from Britten.— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 22, 2019
Quite apart from the voice that ably and almost necessarily disturbingly gave us Britten's setting of Pears' choice of Blake, it is so nice to encounter @Sviceridor affably at @PloughandSail, or before or after the gig -the v. friendly side of #AldeburghFestival2019— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 19, 2019
Britten and Blake were both publicists, but Britten was the better at it, which is why he would not have looked for knottier or more distant texts of Blake's to set than these
Patience Agbabi's reading of her 'homework' was not only a tour de force that outclassed her 'teacher', but also, one likes to think, one whose extent and content were surprising to all hearing them
A present puzzle is Kate Kennedy's claim of 'the logical impossibility' of hearing a manacle (if not 'mind-forg'd' ?) :— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 18, 2019
It was in Poetry and Music (Songs and Proverbs of William Blake) at #AldeburghFestival2019, so is contending that only a rattling manacle is audible prosaic ?
Not really 'a tree falls in a forest' stuff of Berkeley, but whether one *hears* a manacle per se at all :— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 19, 2019
A wedding-ring can clink, e.g., [against] a glass. Isn't a metal - not a Fifty Shades - manacle in halves, and prone to rattle... ?
Tuesday 18 June ~ Vox Luminis III
Pre-concert Talk in The Britten-Pears Recital Room at 6.30 / Snape Maltings Concert Hall at 7.30
Some people declare how dull Heaven must be, with endless praise...— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 26, 2019
But yet conceive of it as 'the instruments of joy' who are @VLuminis, celebrating in sound the majestic and divine in the first half of the programme Vox Luminis III at @snapemaltings at #AldeburghFestival2019 !
As he told #UCFF after the second half of the programme that he had his ensemble bring us at @snapemaltings for Vox Luminis III, what he liked most about it was that it is thirty minutes of silence :— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 10, 2019
Casting us back into another time as assuredly as Schubert 1828 did this year !
Wednesday 19 June ~ Alisa Weilerstein
Blythburgh Church at 7.30
Then, Johann Sebastian's humanity and compassion - nowhere greater in the Suites No. 1 in G Major and No. 3 in C Major than in the Sarabande - comes to us directly— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 19, 2019
It's been good at @snapemaltings and its various venues for #AldeburghFestival2019, but we all know what's said of all good things - and Alisa Weilerstein at Blythburgh gave #UCFF quite a send-off with four Suites from BWV 2007-2012 ! :)— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 19, 2019
It's lovely along there !
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 30, 2019
After taking a river-cruise out to Iken Cliff on the last day of my Festival visit in June, I walked back out there that evening. pic.twitter.com/vOoiq7ds1n
Addenda :
Or 1. @SoundCircusJM...— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 21, 2019
Or 4. @DiotimaQuartet— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 19, 2019
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
