More views of - or after - Cambridge Film Festival 2011
(Click here to go directly to the Festival web-site)
26 February
OK, I confess it: I have been spammed again!
Those guys who ran the screening caught me with a few minutes of what, if I had waited, would have morphed into a docu-style feature with its centre the development, by a flagging family firm that supplies soft-core titillation, of a new range of porno-decorations (including tinsel with a phallic imprint):
The whole thing an excuse for the man running the firm to fall in love with the woman who, taken on to sell its fading products, turns out to be a renowned designer, and also to have fallen in love with him. The only problem being that both are allergic to the products - or some such.
I'd only give it two stars, and I haven't even watched it!
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A bid to give expression to my view of the breadth and depth of one of Cambridge's gems, the Cambridge Film Festival, and what goes on there (including not just the odd passing comment on films and events, but also material more in the nature of a short review (up to 500 words), which will then be posted in the reviews for that film on the Official web-site).
Happy and peaceful viewing!
Showing posts with label Indecent Tinsel. Show all posts
Showing posts with label Indecent Tinsel. Show all posts
Sunday, 26 February 2012
Monday, 20 February 2012
Indecent Tinsel (2011)
More views of - or after - Cambridge Film Festival 2011
(Click here to go directly to the Festival web-site)
20 February
Following in the noble tradition of Philip French, I like to approach a film with a clean slate, knowing nothing but (not even?) the title:
So, as I fantasized eagerly on the tube (one has to, you know) to get to the screening, I pictured some young number in a racy, naughty even, Christmas outfit, propositioning Richard Gere in a seasonal version of the 'tart with a heart' story.
What I had in mind for that morning's viewing didn't leave very much to the imagination, so I (or the film) had been built up to fail, when I realized that it was the pre-pubescent worst parts of American Beauty (1999) and Lolita (1962), in a Yuletide tale of a Santa in Santa Fe, who somehow slipped through the usual checks and has very young children on the lap that you would least wish them to grace.
Even a cameo role for a distinguished player could not redeem this piece of sleaze and the sickening way in which it (I imagine - I couldn't stay) unfolded: as if, even could - God forbid! - such a thing could happen in real life, I would want to know about it...
If you want to Tweet, Tweet away here
(Click here to go directly to the Festival web-site)
20 February
Following in the noble tradition of Philip French, I like to approach a film with a clean slate, knowing nothing but (not even?) the title:
So, as I fantasized eagerly on the tube (one has to, you know) to get to the screening, I pictured some young number in a racy, naughty even, Christmas outfit, propositioning Richard Gere in a seasonal version of the 'tart with a heart' story.
What I had in mind for that morning's viewing didn't leave very much to the imagination, so I (or the film) had been built up to fail, when I realized that it was the pre-pubescent worst parts of American Beauty (1999) and Lolita (1962), in a Yuletide tale of a Santa in Santa Fe, who somehow slipped through the usual checks and has very young children on the lap that you would least wish them to grace.
Even a cameo role for a distinguished player could not redeem this piece of sleaze and the sickening way in which it (I imagine - I couldn't stay) unfolded: as if, even could - God forbid! - such a thing could happen in real life, I would want to know about it...
If you want to Tweet, Tweet away here
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