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9 May
I never tire of Claire Martin's (@CMartinJazz's) gigs : the quality is consistently very high, the energy and love of jazz evident (along with appreciation of her fellow musicians, applause for whose solos she always encourages), and Claire is a very worthy holder of an OBE for services to this music, not least as a regular broadcaster on Radio 3's (@BBCRadio3's) Jazz Line-Up.
I was going to say that Gareth Williams is her unfailing pianist, forgetting for a moment that she did some duo performances with the much-loved and recently departed Sir Richard Rodney Bennett, one of which I caught at Concerts at King's in Cambridge. Gareth was, however, in her quartet, along with another regular, Laurence Cottle (on electric bass), and Mark Skelton (until now, I hadn't managed to find his surname, or identify him via Google®).
A great set from @clairemartinjazz at #cheltjazzfest - a songful, joyful, heartfelt, playful show all with Messrs Williams, Cottle & Skelton
— THE AGENT APSLEY (@THEAGENTAPSLEY) May 5, 2013
Perversely, when there is something that I love, I can be a bit D. H. Lawrence and find myself looking and hearing with an unconverted companion's eyes and ears, but there was absolutely nothing to disappoint, and, unlike what I felt about a jazz Clare whose gig I left after the first set, nothing stagey or false in Claire Martin. When she referred to Sir Richard, I could sense that she was welling up, and it was poignant to be reminded that he had died on Christmas Eve, and to learn how strange it felt that the CD of Irving Berlin that they had recorded was just about to come out.
It must be a good few years ago that I was joshing around with Claire and Gareth after they played at Anglia Ruskin University's Mumford Theatre (something about my being the only person with a pen when others, too, wanted a signed CD, and I also wanted to get Gareth to buy the CD of his that I had bought), and I know that how she is on stage is how she is - as some would say, no front.
So this was a lovely set from Claire, and no matter that I knew much of the content as the repertoire from her long list of CDs on the Linn label - not utterly in the same way that I can listen without tiring to Bach's great Mass in B Minor (BWV 232) or the great Handel arias, but it did not hurt to have heard Claire sing 'Love is a necessary evil' or 'Cheek to cheek' (her tribute to Sir Richard) before, or to learn that a song or two was by James Van Heusen*.
With someone who loves the songs that she sings in the way that one knows that Claire does (one feels it tangibly), and who can swing them this way or that as fits the occasion, a gig is a chance to meet old friends, be it the amazing finger-quickness of Gareth or of her other unfailing choices of collaborators, or the songs themselves, which, as she picks them as well, are full of goodness and freshness.
I see that Claire is doing a tour with a quartet of cellos, the Montpellier Quartet from Brighton, and I am just sad that I cannot be back in time to catch that particular date near me...
End-notes
* I recall now that, not for the first time, Claire mentioned the singing of Julie London - must have a look at the content of the link that I've just put there...
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