More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)
May Day
Once upon a time, on his album Up (2002), Peter Gabriel included a track in which he had taken the phrase signal to noise (from the world of hi-fi) and created a song - which, of course, one can interpret as one will (just as one can, say, the song 'Wallflower' from a much earlier album: whose theme is used in Birdy (1984), a film on whose music I commented in The Future or How do you choose a satisfying film? (Part 2))
On my interpretation of what some might find a limited (because repetitive) lyric, Gabriel is clearly distinguishing between what is valuable (the signal) and what might impede it (the noise). Therefore its own message (something like, from memory, turn up the signal, keep out the noise) is just as applicable to finding the occasional real news-story amongst what else appears in a number of our alleged newspapers as it is to that convenient triangle of factors - perhaps unthinkingly beloved by those who run training courses on assertiveness or communication skills - that purports to establish as empirical fact that some very low percentage* of what we (think that we) say is in our (choice of) words**
I have given counter-examples elsewhere, but, on what level of perversity as to the power of actual words does one have to be on to think that contextual data supply all 93% of what is meant to be lacking in simply saying?:
* You're fired!
* I want you to sleep with me
* You're standing on my foot!
* You've won first prize
* This duck is delicious
* Do you mind if I sit here / take this chair?
Bombard yourself, as Splatter can (I mean Twatter), with messages from an unlimited number of people, though, and you might - amongst 'the noise' - miss someone asking you to tea / to bed / for a drink.
Or following Bassfuck in a crowded bar on your preferred mobile device, highly meaningful though I'm really sure that all of its content is, might make you unaware that you are some banknotes and a credit-card or two lighter than when you started the evening.
Remember: the value of the Internet can go up as well as down
End-notes
* Usually between 7 and 11%.
** As Cher successfully suggested in her cover-version of 'The Shoop Shoop Song' in Mermaids (1990), it's in his kiss.
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A bid to give expression to my view of the breadth and depth of one of Cambridge's gems, the Cambridge Film Festival, and what goes on there (including not just the odd passing comment on films and events, but also material more in the nature of a short review (up to 500 words), which will then be posted in the reviews for that film on the Official web-site).
Happy and peaceful viewing!
Showing posts with label Bassfuck. Show all posts
Showing posts with label Bassfuck. Show all posts
Monday, 30 April 2012
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