More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)
8 September
A Warner Bros. marketing leader recalls the first splashy #Barbie teaser — an homage to "2001: A Space Odyssey" — that debuted over the holidays: "It made a bold statement that this movie isn’t going to be exactly what you think it is." https://t.co/G8nfnvCvQu pic.twitter.com/COCqJ9T05l
— Variety (@Variety) July 24, 2023
One might say that films like Funny Girl* (1968) aren't still made, but Greta Gerwig (and co-writer Noah Baumbach) shed new light on self-worth and reflected glory outside a mutual love-affaire.
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 10, 2023
* A species of An Affair to Remember (1957) itself, but without a deferred affaire. pic.twitter.com/W2IihKC52Z
* Suspicion (1941) may well have been seen first by the time that Funny Girl (1968) made it to t.v., but its ending, which would now seem very abrupt [just as does that of Vertigo (1958)], wouldn't have alerted one to what Hitchcock (and Grant) had meant to be the film's ending.
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 10, 2023
For others who may be interested, the pages of The Barbra Archives appear to have a wealth of information about her Academy-Award-winning first film :https://t.co/w54yLjo1XNhttps://t.co/CMX63cAbzm https://t.co/mLjQ9LCKjb pic.twitter.com/EqEuRyxB8R
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 10, 2023
If you want to Tweet, Tweet away here
Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
