The #DorotheaTanning Tweets

Sunshine after rain : moving from Bonnard to Dorothea Tanning at Tate Modern...

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

1 June

Sunshine after rain : moving from Bonnard to Dorothea Tanning at Tate Modern...

Deirdre (1940) ~ Dorothea Tanning

#Bonnard

Tanning could render a face, Van Gogh could render a face...

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 4, 2019

By Room 8, the Dantean visions had closed in, and one would be surprised to learn that #DorotheaTanning didn't also know, e.g., Beckettt's Comment c'est or Francis Bacon (or he her work)

On till Sunday 9 June

* Danteesque ?

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 1, 2019

Dorothea Tanning ~ [Title and date to come]

Or is that 'Dante-esque' / 'Dantëesque' ?

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 2, 2019

Yet we see v. little of #MaxErnst (Tanning's fitting spouse*) to judge his sinister qualities, or #HansBellmer (rarely shown) ?

* The @Tate show tells us too little about the connection between Tanning and chess (probably the catalogue does ?), e.g. how often she played Duchamp https://t.co/rxGaqRa7uB

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 2, 2019

Some other Tweet :

We are so divorced from reality that it is only in street-names, etc., that some former parts of everyday life exist, such as Tan Yard, in St Neots :

We talk about 'getting a tan', tanning salons, etc., but wholly unrelatedly to the tanning of leather... pic.twitter.com/daVJsjnBbF

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) January 31, 2018

If you want to Tweet, Tweet away here

Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Bonnard : Mirrors, photographic effects, alluring views through windows, and - of course - nudes*

Responses, by Tweet, to and during a visit to Pierre Bonnard : The Colour of Memory

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

3 May

Responses, by Tweet, to and during a visit to the [C C Land] exhibition Pierre Bonnard : The Colour of Memory on Friday 3 May 2019

By Room 4 at @Tate Modern, it is clear enough that #Bonnard :

* Couldn't depict a human face to save his life

* Can perfectly render a wash-stand

* Liked photographic effects such as mirror-shots or shaded extremes

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 3, 2019

* In Room 7, gives us one of these moody looks, in Paysage du Midi (1920-1921) as if the light fairy has dulled almost everything

* Loves a seducing exterior, seen through a window - breaking rules of photography

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 3, 2019

* Resolved around nudes, water, tables (especially laden with food) and table-cloths, distant views, mirrors - maybe as with Magritte's stock elements ?

* In Femme nue se baissant (1923) and famous Baignoire (Le Bain) (1925) occludes the face

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 3, 2019

This is probably the best of his views of the outside from indoors pic.twitter.com/A0RDlux8du

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 3, 2019

End-notes :

* But, never all that convincing usually with human faces, the best of these nudes are seen from the back...

Arguably, #Bonnard's 'best' nude - if a nude should be lively, sensuous and not merely observed - is not even in the show, however... pic.twitter.com/1rIlg6lgxY

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 3, 2019

Even so, it is puzzling that - as allegedly still true of 'glamour models' - the woman is naked, but obliged to wear black court shoes ? (In this case, they may actually be slippers, but in other nudes in the show, they are definitely shoes.)

If you want to Tweet, Tweet away here

Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)