More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)
25 October
But there's no bad seat in The Jim Marshall Auditorium, and the side stalls are just fine, too !
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 24, 2021
Merch, with Roxanne de Bastion, at The Stables : Resorting to cash when the wireless tech disappoints
An evening of lovely strangeness - a whirl of Baby Driver (2017), Solaris (1972) and Eyes Wide Shut (1999) for dream-like wish-fulfilment ! :
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 26, 2021
* Requests aren't usual - but mine (without calling out)
* Next https://t.co/k5bxox0Ihv, mentioned when driving over (re The Graduate)
To-night's excellent gig touched on, as it were, a knob-shaped rocket... ;)
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 26, 2021
Rather late to have the CD on aptly high, but the power, conviction, and sheer honesty and integrity of these songs is right back there, when toured and played, and the CD sleeve signed, six years ago :
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 26, 2021
In quite a different place and mood from Monday night's long set's choices ?
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Identifying with many of the lyrix of The Graduate (2009), to which I've treated myself ahead of Monday's gig at @StablesMK :https://t.co/Q40i0odCQ1
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 22, 2021
Especially, in an odd way, with 'When Did i Become Such a Bitch'... pic.twitter.com/vGwZCzbSHg
Somehow, though, it seems that I've never seen this video for a gorgeous song (which of Nerina P.'s isn't ? !) ! :https://t.co/3KSzd2FksQ https://t.co/QENMKIOlYU
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 24, 2021
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more to come
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
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