More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)
10 July
See water as a precious thread that runs through Baxter's work, with the questionable loss, to might, of precious Aberdeenshire sand-dunes and Molly Forbes' water-supply in @TrumpedMovie* and @ADGmovie. #UCFF Tweets are gathering at :https://t.co/QKkfLlsmxS
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 10, 2020
* *That* Trump ! https://t.co/TZGNtogKHC
At times via Alec Baldwin's narration, and with a way of showing people's humanity in what pains them to recall or just their faces, Baxter's camera is ever on, over and around Flint, MI, and those who live there.— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 10, 2020
The final day to rent the film (£4.50) :https://t.co/5eODZ6Fvcq
Even on a laptop, very many other things combine in Baxter's editing (in close conjunction with Glynn's uncanny score) to make what will be a knock-out on a cinema-screen - especially the impact of principal cinematography by Baxter and Edward Bally (and Bally's aerial footage) !
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 11, 2020
If you want to Tweet, Tweet away here
Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
No comments:
Post a Comment