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17 February
I know that Black Panther (2018) is supposed to be so Marvellous (and I see that https://t.co/xFknMehWT9 hasn't got to it yet*), but I couldn't help being amazed at @everyfilmneil, choosing, on principle, to watch such action films...
— THE AGENT APSLEY (@THEAGENTAPSLEY) February 20, 2018
* But has 73 reviews up already for 2018...
For no good reason, although @GlimmerFilms posted it to #UCFF in August 2016, @JeanieFinlay's Indietracks (2016) had not been watched until to-night :https://t.co/hmYFb2nCmT— THE AGENT APSLEY (@THEAGENTAPSLEY) February 17, 2018
Relief from the extreme excitability of Black Panther (2018) and a quick watch with a steam-enthusiast. pic.twitter.com/S9W9jBCKUT
Sure some https://t.co/9vIamqeOUR going on here ?— THE AGENT APSLEY (@THEAGENTAPSLEY) February 18, 2018
And #LOTR, Cloud Atlas (2012), Matrix Revolutions (2003), etc., etc. pic.twitter.com/Z0V3S6pEB2
'I am a product of art funding in the UK' Daniel Kaluuya at tonight's @BAFTA awards, a perfect example of what can happen if young people are given arts based education and opportunities. #DanielKaluuya #uktalent #culture #arts pic.twitter.com/d1dXePrI8N
— jonjo elliott (@jonjoelliott) February 18, 2018
The heck it is !
— THE AGENT APSLEY (@THEAGENTAPSLEY) February 18, 2018
When it bothers to treat of the polarities of Isolationism or Radicalization at all, it does so chaotically in set-piece orations, which vaguely ground the closing resolution.
There we are, and as Billy Joel told us (in 'New York State of Mind') :
— THE AGENT APSLEY (@THEAGENTAPSLEY) February 21, 2018
But now I need a little give and take
The New York Times, the Daily News
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
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