More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)
19 November
When the cover, for some reason, says Writing as Ian Fleming, does that say anything at all?
Is Sebastian thereby licensed* to write, or is it mediumship - transcribing the beyond-the-grave Bond of this so-called franchise**'s originator ?
And what, then, does the infamous 'statement' say, under the Copyright, Designs and Patents Act 1988, on the imprint-page ?
The rights of Sebastian Faulks, writing as Ian Fleming, to be identified as the author of this work have been / are hereby asserted under the [... CDA 1988 ...] ?
Aldous Huxley would never have allowed being dead to prevent continued authorship, as is attested by the account of A message from Aldous Huxley, deceased, and we can expect little else from the man behind Chitty-Chitty-Bang-Bang (Fleming, that is, not Faulks)...
And this would have gone on to talk a bit about Auric Goldfinger, but, just now, it doesn't !
End-notes
* Or, as modern illiteracy has it, 'licenced'.
** In what sense of the term are films to do with Bond, Bourne or - for all that I know - Bono (Sonny or U2's own Paul Hewson) linked to someone granting a franchise in the way that Spar (or sometimes Costa) licenses the franchise-holder (or franchisee) to trade under that name and sell branded goods, or Rolls Royce authorizes a dealership to sell (and service) its vehicles ?
If you want to Tweet, Tweet away here
A bid to give expression to my view of the breadth and depth of one of Cambridge's gems, the Cambridge Film Festival, and what goes on there (including not just the odd passing comment on films and events, but also material more in the nature of a short review (up to 500 words), which will then be posted in the reviews for that film on the Official web-site).
Happy and peaceful viewing!
No comments:
Post a Comment