(Click here to go directly to the Festival web-site)
15 September (updated 17 November)
Following the elaborate planning, this posting records what actually happened, and when, with links to reviews (two still lagging behind)...
As in 2012 (and 2011), there is a code, which is :
A Abandoned - Walked out partway through
AA Wished to abandon - But, against better judgement, could not (or did not) leave partway through
B Blog - There is a posting about the film on the blog, to which the link takes one (although it may not be a review)
C Catalan preview - A film from the Camera Catalonia strand, reviewed ahead of and for the Festival
M Missed - Planned - or had tickets - to see, but had to skip
P Partly watched - A clash with an earlier (or later) film prevented seeing it as a whole
O Take One - Published on line as a guest review
S Seen - The opposite of Missed
The great Tony Jones @camfilmfest what a man. pic.twitter.com/KunPw1CoNA
— Owen Baker (@Owenkits) September 7, 2014
Tony Jones, Trustee of Cambridge Film Trust and director of Cambridge Film Festival for 30 (?) years - the longest-serving UK festival director
Thursday 28 August
6.00 P Peter Sellers : The Early Shorts (1957) : Emmanuel (90 mins) - The one caught, Dearth of a Salesman, was also short on laughs...
7.00 AA The Kidnapping of Michel Houellebecq (summed up, pretty much, in Andrew Pulver's review for The Guardian) (Opening Film) : Screen 1 (93 mins)
10.00 B S Magic in the Moonlight (2014) (plus a riposte to TAKE ONE's reviewer) (Opening Film) : Screen 1 (97 mins)
Friday 29 August to Sunday 31 August (both inclusive)
Delayed response to the loss of a dearly loved companion subverted any plans for cinema-going on these days, but, by proxy...
Saturday 30 August
7.30 Bx2 S Ida (2013) (plus spoilery critique) : Screen ?? (80 mins)
Monday 1 September
1.30 B S A Most Wanted Man (2014) : Screen 1 (121 mins)
4.00 AA B Four Corners (2014) : Screen 1 (114 mins)
6.30 B S Under Milk Wood plus Q&A (1971) (Dylan Thomas 100) : Screen 1 (88 mins)
9.00 B S Before I Go to Sleep plus Q&A (2014) : Screen 1 (92 mins)
Tuesday 2 September
1.00 M M : Screen 1 (1931) (117 mins)
Nifty bit of timing - arrive at Festival Central at 1.15 for 1.30 screening of Fritz Lang's M at @camfilmfest : it was at 1.00... #CamFF
— THE AGENT APSLEY (@THEAGENTAPSLEY) September 2, 2014
3.30 S Last Call (2013) : Screen 2 (91 mins)6.00 S How I Came to Hate Maths (Comment j'ai détesté les maths) (2013) : Emmanuel (110 mins)
8.30 B S Mary is Happy, Mary is Happy (2013) : Emmanuel (127 mins)
Wednesday 3 September
1.30 B S Iranian (2014) : Screen 1 (105 mins)
4.00 AA Eastern Boys (2013) : Screen 1 (128 mins)
6.30 B x 2 S Stations of the Cross (and further thoughts on a second viewing) (Kreuzweg) (2014) (German) : Screen 2 (104 mins)
9.00 C S Tasting Menu (plus a riposte to TAKE ONE's reviewer) (2013) (Camera Catalonia) : Screen 2 (85 mins)
11.00 M Short Fusion : Life Lessons : Screen 2 (79 mins)
Thursday 4 September (a day for not sticking to the plan at all !)
11.00 M Night will Fall (2014) : Screen 1 (75 mins)
1.30 M Le Jour se Lève (Daybreak) (1939) : Screen 1 (93 mins)
As to be on general release, substituted by rewatching :
2.30 B x 2 S Stations of the Cross (and further thoughts on a second viewing) (Kreuzweg) (2014) (German) : Screen 2 (104 mins)
4.00 P German Short Films (German) : Screen 1 (~70 mins) (all 2013) Will have to miss the end to get to Still the Enemy Within (2014)...
6.00 M Still the Enemy Within (2014) : St Philip's Church (112 mins)
Instead rewatched :
6.00 B S Mary is Happy, Mary is Happy (2013) (Festival link) : Emmanuel (127 mins)
8.30 M Under the Lantern (1928) (Lamprecht) : St Philip's Church (129 mins)
Stay for this - or head to Festival Central for...
9.00 M We Are Many (2014) : Screen 1 (104 mins)
Friday 5 September
1.00 B C S We All Want What's Best for Her (Tots volem el millor per a ella) (2013) plus write-up of Q&A (now with photos) (Camera Catalonia) : Screen 1 (105 mins)
Just time to interview Mar Coll (director and co-writer of We All Want What's Best for Her- write-up to come...) before :
4.00 S People on Sunday (Menschen am Sonntag) (Lamprecht) : Emmanuel (73 mins)
5.00 P Energized : Screen 1 (91 mins) Sadly, needing to miss the start of which...
7.50 C S Son of Cain (Fill de Caín) (2013) (plus write-up of Q&A) (Camera Catalonia) : Screen 2 (90 mins)
10.30 M The Mad Magician (Retro 3-D) : Screen 2 (72 mins)
Saturday 6 September
1.00 M Berlin, Symphony of a Great City (Lamprecht) : Screen 3 (74 mins)
Missed to interview - and take punting - Jesús Monllaó, director of Son of Cain (Fill de Caín)
2.30 B S Fiction (Ficció) (Camera Catalonia) : Screen 3 (107 mins)
5.00 AA B Amour Fou : Screen 1 (96 mins)
7.30 B S Tony Benn : Will and Testament : Screen 1 (running-time not advised)
Not likely to finish in time for (as was indeed so)...
9.00 M West (Lagerfeuer) (German) : Screen 2 (102 mins)
Sunday 7 September
1.00 C S Othello (Otel.lo) (Camera Catalonia) : Screen 2 (69 mins)
The next film was missed, because of lunch and then completing an interview with Hammudi Al-Rahmoun Font, director of Otel.lo (with the kind assistance, as translator, of Cristina Roures)
4.00 M A Poem in Exile (Camera Catalonia) : Emmanuel (77 mins)
Silver Punt Award For Best Documentary 2014: A Poem In Exile http://t.co/HdEMjBqncg
— Cambridge Film Fest (@camfilmfest) September 12, 2014
5.30 M Set Fire to the Stars (Dylan Thomas 100) : Screen 1 (90 mins)
Sorry to have to miss you, @setfirettstars, at @camfilmfest, but needed to take @Al_RahmounFont punting whilst he was around...
— THE AGENT APSLEY (@THEAGENTAPSLEY) September 16, 2014
For the sceptical, there is evidence of that punting-trip, with star pupil Hammudi
8.00 A The Grandmaster (which turned out to be Surprise Film 1) : Screen 1 (?? mins)
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
