Showing posts with label #AviatrixFilm. Show all posts
Showing posts with label #AviatrixFilm. Show all posts

Friday, 18 December 2015

Pre-Christmas shorts, hosted by BFI Film Academy tutor Ryd Cook

Some Tweets about a film screening at CB1, Mill Road, Cambridge

More views of - or before - Cambridge Film Festival 2015 (3 to 13 September)
(Click here to go directly to the Festival web-site)

18 December

Some Tweets (and other text) about this film screening at CB1, Mill Road, Cambridge on Friday 18 December 2015 at 7.00 p.m.

For those who do not already know Ryd Cook (@RydCook), who was hosting this event, a Tweet at the other end of this posting shows him (after the screening, and with pizza and blazing hair), or they may recall a guy who can be found at many times of day around The Arts Picturehouse in Cambridge (@CamPicturehouse), and is usually (invariably ?) sporting knee-length shorts (and almost as often a skateboard).



Quite concisely, when there was a lot of information that Ryd wished to convey, he introduced himself as a film-maker, on his own and others’ behalfs, who has taught (for six years) on the regional BFI (@BFI) Film Academy courses for 16- to 19-year-olds, and is a long-standing member* of Project Trident (@ProjectTrident), a collective of supportively like-mindedly zany individuals (at least one of whom is always involved in one of his own films**).



Ryd also thanked CB1 (@CB1Cafe) for the use of the space, Kim Bates (@Kimi_Maii, his producer) for making it all happen, and cinema colleagues Tony Jones and Trish Sheil for screen and projector, respectively (though Ryd started to confuse himself by trying to say it the other way around – not creatively instinctual for nothing !).





The first film that Ryd showed to us had been sent to him by Rory Greener (@rory_greener), who had been one of Ryd’s students.

 Afterwards, they had had a conversation about whether Rory wanted to try to get into a career in film, and (the answer to which Ryd said that he did not know about himself at that age) Rory said that he wanted to be a cinematographer. Ryd offered Rory some advice about how to do that, and was then very impressed by receiving Enough Rope from Rory, some months later.

 With some editing tips from Ryd, Rory had made a (slightly shorter) version, which is what we watched (and some people who had worked on the film turned out to be in the screening, whereas Rory had not finished for the term, and was not yet back)...





After an interval, and with only a very short introduction (those who had acted in the film were identifiable and could be spoken to afterwards), we came to Ryd’s film Aviatrix (2015) (#AviatrixFilm), which had been seen twice before*** : during Tridentfest [Project Trident] at Cambridge Film Festival 2015 (@camfilmfest / #CamFF), and at Hot Numbers, in Gwydir Street (@hotnumbers / #GwydirSt), before a screening of a feature film there.



In directing the cast through what is, much of the time, a chamber-piece, Ryd lets us see closely into their different characters through their faces and expressions, and in the spaces between what is said.

 In a nutshell, albeit rooted in our world, Aviatrix symbolically, shows us the power of inspiration when we feel able to trust others, and they are as much inspired as we are. (In literal terms, we could not be uplifted by what might follow the closing sequence, but we embrace it figuratively, because cinema allows for the depiction of important moments.)


To close, as he judged that it had a Christmassy feel (it certainly has wintry light and snow, and a cheerful soundtrack), Ryd left us with the couple of minutes of Frosty Afternoon, whose settings on streets in and around Cambridge many would have recognized.

 For those of us thinking of making a film, he stressed how simple the cameras on most phones nowadays make it, and that he had not intended to make the film, but had just started shooting on what he had available at the time (a BlackBerry). He urged us to do likewise, as his film has twice been shown at film festivals.

 The film can be seen here, and Ryd’s channel on YouTube (@YouTube) is http://www.youtube.com/user/RydianCook.


The man of the evening himself, seen as he should be, Ryd Cook




End-notes

 * Although closely associated with Project Trident, Ryd was apparently not one of the founders, but joined within the first six to twelve months. The group’s web-site is www.projecttrident.com.

 ** When it is a project with which Ryd is personally connected, such as Thrown (2011) (written by Dave Clark, @BlueCrayon77), or Aviatrix (2015) (also written by Dave Clark), he operates under the name Little Victories Films, and appends it to the film.

Thrown had been the first film of Ryd’s seen, but there seems to be no sign of a review :



It can be seen here, and Ryd’s channel on YouTube (@YouTube) is http://www.youtube.com/user/RydianCook.


*** Tweets from those venues here :








 Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
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