More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)
5 June
I'd love to hear (and be able to believe) that the clunky use* of CGI, which created such an unreal quality to much of what we saw on and around the paddle-steamer Karnak, was an asset to Branagh's Death on The (2022) - that this effect was an intentional part of what we watched.
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 7, 2022
'"Instead, we ultimately decided to build back in the UK.
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 7, 2022
'"We used a double rail track so we could slide rather than float the boat in and out of a stage," Clay explains.
2 / 3
'"We placed all the water in digitally with the exception of a one-meter-deep tank along one side of the boat.
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 7, 2022
'"That way we could have the reflection of water on the hull of the Karnak."'
* At : https://t.co/6zppt66SY4.
3 / 3
If you want to Tweet, Tweet away here
Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
No comments:
Post a Comment