More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)
1 September
We're still buzzing from last night's performance! Thank you to everyone that tuned in!— London Sinfonietta (@Ldn_Sinfonietta) September 2, 2020
If you missed it you can still watch it on @BBCiPlayer 👉https://t.co/S4RseaVyb7
Set your alarms for a special archive broadcast of our 2000 Prom with Jessye Norman at 7pm on Sunday! ⏰
Prom programme-notes* are here ! :https://t.co/hijs3dErC3
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 1, 2020
I'd rather have heard a segue from the texturally engaging featured reed-sounds of the Philip Glass to Julia Wolfe's high-energy toccata crescendo, but @Ldn_Sinfonietta players need peer-applause !
* Track-listing...
Harder, perhaps, than the preceding works, because both neon (by @tansydavies) and Edmund Finnis' in situ (to follow) are relatively looser than those more explicit pulsations, they are harder to assimilate at first blush, and so will blossom more clearly with further hearings...
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 1, 2020
With this CD (somewhere !) chez Apsley, it will be interesting to compare the live version with that known from the recording ! pic.twitter.com/Jzd6YBdU5G
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 1, 2020
Not bravura per se, but an able and welcome demonstration of how it need not be electric guitar*** whose sound-production is bent and moulded in the actual playing.
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 1, 2020
*** Which we also associate with Reich, because, for example, of Electric Counterpoint or Electric Guitar Phase.
A resonance of two occupied places in one that once were, and then those fell who could not get away when both fell, and those who saw and mourned and witnessed those who had fallen (some here, in the work, via tape) - resonating with this place, emptied by death, filled by music
— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) September 1, 2020
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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)
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