Observations, by Tweeet, on A House of Dynamite (2025) (an accreting series)

Observations, by Tweeet, on A House of Dynamite (2025) (an accreting series)

More views of - or before - Cambridge Film Festival 2025 (23 October to 2 November)
(Click here to go directly to the Festival web-site)

14 October

Observations, by Tweeet, on A House of Dynamite (2025) (an accreting series)

Some of us* watched A House of Dynamite (2025) at The Arts Picturehouse :

Observations by Tweeet follow...https://t.co/vgMUN94zRq

* Admittedly, not many.

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 14, 2025

2) Certainly, titles are known that one knows not to have seen (e.g. The Hurt Locker [https://t.co/yp2un1wN7T]), but the best answer – and, coincidentally, most relevant – appears to be 'Not knowingly'.

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 15, 2025

4) As with that business whose slogan's 'Not knowingly undersold', which (if it still is) is structured as a partnership – all take a share in the profit (or the loss), and that, as to characters' roles and responsibilities, chimes with this Netflicks co-production...

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 15, 2025

6) (Her (2013), to put the point differently as to era, is simply embedded in a future, though not a distant one, where people already interact with devices as they walk. By contrast, some aspects in whatever 'the now' is of Dynamite seem, if not archaisms, then anachronistic.)

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 15, 2025

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Top Tips for Cambridge Drawing Society's Spring Show, which finishes on Saturday 9 April 2022

The Agent's Top Tips for Cambridge Drawing Society's Autumn Show (on till Saturday 9 April)

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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29 October

The Agent's Top Tips for Cambridge Drawing Society's Autumn Show, currently on at The Pitt Building, Trumpington Street, Cambridge, but finishing at 4.00 p.m. on Saturday 9 April 2022

In what follows, a figure in bold face denotes the numbered screen on which each work is hanging (unless preceded by a 'W', for 'Wall' - in the main exhibition space) ; the standard of work is generally very high, but the factor on which an item appears here is based, trying to look at every work on show, on listing those that ought to stand the test of time, by being looked at anew each time in The Agent's eyes, rather than delivering one, however impressive, bundle of impressions on first being viewed.


Highly commended, including Best in show (as voted by #UCFF), in alphabetical order (of artist) :

• 22 : A Breath of Fresh Air ~ Sue Walker

• 30 : A New Day ~ Ann Massing

• 86 : Autumn Trees ~ Cathy Parker

• 86 : Birch Woods ~ Cathy Parker

• 66 (?) : Blue Composition (?) ~ Christine Lockwood

• 60 : Byron's Pool ~ Katy Bailey

• 33 : Cherries ~ Rachel Haynes

• 55 : Chicken ~ Svetlana Baibekova

• 4 : Dandelions in a Jam Jar ~ Carol Whitehouse

• 20 : Ethel ~ Sara Woodall

• 39 : Green Cavern ~ Maggie Ecclestone

• 84 : Harbour Lights Honfleur ~ Vivienne Machell

• 39 : Joseph's Rock ~ Maggie Ecclestone

• W2 : Landscape No. 1 : Complications ~ Christine Lafon

• 59 : Mow Fen XVIII ~ Iona Howard

• 91 : Myrtle ~ Yvonne Jerrold

• 72 : On The Level ~ Janet Gammans

• 25 : The Pond ~ Mary Seymour

• 72 : Silent Fen ~ Janet Gammans

• 3 : Snow Berries and Rosehips ~ Carol Whitehouse

• 36 : Stare ~ Rob Jones

• 8 : Strawberries ~ Lydumila Sikhosana

• 28 : Tied Up ~ Alan Noyes

• 2 : Trinity Lane, Cambridge ~ Yang Yuxin

• 10 : Winter Hillside, Islay ~ Jill Ogilvy




Also mentioned in dispatches (likewise in alphabetical order (of title)) :

• 39 : Arthur's Cave~ Maggie Ecclestone

• 91 : Big Little Owl ~ Yvonne Jerrold

• W3 : Blizzard ~ Ann Gascoine

• 60 : Brancaster Staithe ~ Dan Walmsley

• 71 : Channel Island Porcelain ~ Bill Everett

• W3 : Fleam Dyke, Springtime ~ Hatty Richmond

• 31 : Frozen in Time I ~ Liz Hales

• 15 : King's Cross ~ Willy (Willie ?) Wilson

• 49 : Long Shadows ~ Caroline Furlong

• 60 : Looming ~ Katy Bailey

• 10 : Mountain Stream ~ Jill Ogilvy

• W3 : Dr. Pat Owens ~ John Glover

• 32 : Rosy Glow ~ Chris Lockwood

• 6 : Shoreline ~ Elaine Purcell

• 30 : Silver Sunset ~ Ann Massing

• 50 : The Staithe ~ Alan Noyes

• 55 : Vietnam ~ Svetlana Baibekova




Also ran :

• 86 : Paul Edwards appears to like Bridget Riley's Hesitate (19??) [and, perhaps, her Fall (1963)] enough to meld his style with hers by way of pastiche

• 80 – 81 : In his turn, Geoff Goddard looks to like Gerhard Richter's photo-realism and also the style of his model – 4 x variants



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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

The #NakedHobMice Tweeets

The Reggie Perrin Tweets

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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The Reggie Perrin Tweets

Naked BO Chime

Is an anagram of... ?#NakedHobMice No. 1

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 4, 2024

He, I comb naked

Is an anagram of... ?#NakedHobMice No. 2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 4, 2024

Demon cab-hike

Is an anagram of... ?#NakedHobMice No. 3

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 13, 2024

Baked mice, hon ?

Is an anagram of... ?#NakedHobMice No. 4

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 4, 2024

Bad Omen I - heck !

Is an anagram of... ?#NakedHobMice No. 5

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 4, 2024

Damn' cheek, Obi !

Is an anagram of... ?#NakedHobMice No. 6

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 4, 2024

Even when a new century begins¹, it is only we mortals who ring bells and fire off pistols².

¹ Supposing we had agreed on any one calendar, whether it's at Midnight on 1 January 2000 or on 1 January 2001 anyway...

² Pistols ? !

2 / 2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 4, 2024

The problem with the word's this :

On the basis that 'x is babying y' means that y feels that x treats y like a baby (or y needs acting towards like one), then 'a is parenting b' ought, by clear analogy, to mean that a makes *b* feel like the parent - not a is being one.

2 / 2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 4, 2024

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Secret histories of code-breaking : #TheCodicoteCodex

Secret histories of code-breaking : #TheCodicoteCodex

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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17 May

Secret histories of code-breaking : #TheCodicoteCodex

In detective mode, presented with a very carefully composed photo, we have to suspect that there's more going on here than may meet the eye...

1) First of all, the purposeful lady in smart attire - immediately at the most natural point for us to register her.#TheCodicoteCodex pic.twitter.com/QasFvWKIU3

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 17, 2024

2) Yes, and maybe - because we naturally next look at the vehicles - we then don't ever think to notice the open window... ?

[The large window, in the property that abuts* the neighbouring public-house.]

* Or does it adjoin it, too ?#TheCodicoteCodex pic.twitter.com/tJzXLf592D

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 17, 2024

3) We are unmistakably told the date - 17 August 1935** - and it is possible that there may be good reason to credit it**.

** Except that it's given to us in exact reverse - '1935 August 17'.#TheCodicoteCodex pic.twitter.com/TK4oEJk2P9

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 17, 2024

4) At On This Day [@OnThisDaycom], they have more for us :

It was a Saturday, 88 years and 9 months ago,,,https://t.co/aUrujEHviA#TheCodicoteCodex

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 17, 2024

5) More importantly, we find that several significant events in world history had just occurred, including in Bad Tölz and Gdańsk (Danzig) on 6 & 7 August, in Rosenheim (11th), and Washington, DC (21st, 31st) :https://t.co/lZost7GfFBhttps://t.co/EP6mKw4pIR#TheCodicoteCodex

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 29, 2024

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

#ExamTime in, and at, an uncertain age : ai-powered approaches to question-setting

#ExamTime in, and at, an uncertain age : ai-powered approaches to question-setting

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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10 May

#ExamTime in, and at, an uncertain age : ai-powered approaches to question-setting

In memoriam, Charles Hunt, RIP

Discuss themes of despair and destruction, and how they are invoked, in this poem by William Carlos Williams.#ExamTime

1 / 3

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 10, 2024

If, instead, this poem had been written by Sappho (and this were a translation made by Robert Lowell in circa 1943), how - if at all - would your answer differ, and why ?#ExamTime

2 / 3

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 10, 2024

If, yet again, this were considered, by its author, to be prose (rather than, principally, poetry), and had perhaps been written by the lead examiner (who may be a published poet), how also - if at all - would your answer differ, and why ?#ExamTime

3 / 3

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 10, 2024

Maybe coming to a universe of examination-halls* near you (soon)... ?
/div>

'Alpha Papa was a better name, and a better overall piece of work, than Juliet Bravo.'

Discuss, with (if desired) reference to the unending mediocrity of #LizzyBoots, the Barthesian semiotics of this purported anonymous evaluation.

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) July 5, 2024

* You know the ones : where you're suddenly aware that you are still wearing your slippers, or pyjamas - or that you forgot to revise !


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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Some Twaddle about The Scottish Play...

Some Twaddle about The Scottish Play...

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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4 May

Some Twaddle about The Scottish Play...

Jacobean theatre (following Tillyard & Molesworth)

Thane of Cawdor : Is this a dagger which I see before me / The handle toward my hand ?

Groundling 1 : Well, is it - or is it a quarter-pounder with cheese ?

Groundling 2 : If it is, mate, chuck it here - I'm famished ! !

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 4, 2024

Groundling 3 : Nah, shut it, you two - can't you see it's a half-pounder, no cheese, but with a generous helping of tomato, red onion and lettuce and lashings of burger-sauce ? !

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 4, 2024

Groundling 4 starts arguing that burgers being mistaken for a dagger lacks any credence, but Groundling 3 retorts that it's dark in the castle corridors, Glamis doesn't want to be seen, and is high on the dopaminergic cascades of his heat-oppressed brain.https://t.co/7ShtY0nObN

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 4, 2024

Unsatisfied, Groundling 4 contends that, even when eyes are made the fools o' the other senses, by a dagger of the mind, the false creation must be a longer foodstuff that calls Glamis back to his room for a pre-murder snack - a duck wrap with hoisin sauce or a sausage-roll, say.

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 4, 2024

With any luck, popular acclaim won't require any more on this...


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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Thirteen Tweeets about Civil War (2024) : #CivilWarAndAlexGarland (work in progress)

Thirteen Tweeets about Civil War (2024) : #CivilWarAndAlexGarland (work in progress)

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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Thirteen Tweeets about Civil War (2024) : #CivilWarAndAlexGarland (work in progress)

1) Even with a road-trip* (especially ?), a director should earn the right to behave as if a film's emotionally taken anyone somewhere else :

Hanging affectless exchanges in the air may make other, flat scenes seem pacy, but is unsubtle.

* Ostensibly.#CivilWarAndAlexGarland

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) April 26, 2024

2) Civil War (2024) establishes no more on-screen relationship or rapport between Jessie (Cailee Spaeny) and Lee Smith (Kirsten Dunst) than with Joe (Wagner Moura) or Sammy (Stephen McKinley), yet thinks us willing to behave as if it had done.

But...#CivilWarAndAlexGarland

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) April 27, 2024

3) Also from A24, but wholly unlike C'mon, C'mon (2021) - a different type of Jesse, and Johnny (Joaquin Phoenix) learning from his nephew* in a process of the former's unmasking and self-realization.

* Very ably and effectively played by Woody Norman.#CivilWarAndAlexGarland

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) April 28, 2024

4) However, it has a reason *not* to be that type of film, which relates to why Joe, who is already accompanying Lee, is on the trip and – which seems plausible – to what makes him tick, but Joe is 'thinly written' and this feint does not earn its place.#CivilWarAndAlexGarland

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 1, 2024

pic.twitter.com/7xpsDoupp2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 3, 2024

pic.twitter.com/wV1ChQlPEY

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 3, 2024

6) At first, maybe the lack of good or considered dialogue could be read as denoting the characters' fatigue*, but the misdirections also [need to] abound to make us not just want to quit.

* As well as a stultifying effect that tends to lead to ours !#CivilWarAndAlexGarland

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 8, 2024

7) (A film set in Austria (?) that Michael Haneke made in German – then, 10yrs later and with an American cast, re-shot in English – dares us to leave, too : it and a Peter Gabriel song [on the album Up (2002)] tells us all that Garland does in 109 mins.)#CivilWarAndAlexGarland

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) May 9, 2024

More to come...

At its conclusion, which took a fair old while to get to, the same disappointment as when Kubrick chooses to leave us with this image.

[Afterwards, it became clear very quickly that elements of The White Hotel infused a highly psychopathic version of The Wizard of Oz (1939)...] pic.twitter.com/ROJx8TP6jv

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) June 1, 2024

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

The 'Fits to the rhythm of Eleanor Rigby' Tweets : #EleanorRigbyRhythms

The 'Fits to the rhythm of Eleanor Rigby' Tweets : #EleanorRigbyRhythms

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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The 'Fits to the rhythm of Eleanor Rigby' Tweets : #EleanorRigbyRhythms

Lennon McCartney

Fits to the rhythm of Eleanor Rigby#EleanorRigbyRhythms

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) April 7, 2024

Fr. Ted Crilly

Fits to the rhythm of Eleanor Rigby#EleanorRigbyRhythms

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) April 7, 2024

Sheridan Morley

Fits to the rhythm of Eleanor Rigby#EleanorRigbyRhythms

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) April 9, 2024

Eric and Ernie

Fits to the rhythm of Eleanor Rigby #EleanorRigbyRhythms

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) April 9, 2024

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

The Totally New (and Gratuitous) #BeatUpBeatles Tweets

The Totally New (and Gratuitous) #BeatUpBeatles Tweets

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

26 February

The Totally New (and Gratuitous) #BeatUpBeatles Tweets

I am The Onion

Happiness is a Warm Walrus#BeatUpBeatles

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 26, 2024

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

On finding a DVD of Underworld (2003), understandably abandoned by an ex's ex

On finding a DVD of Underworld (2003), understandably abandoned by an ex's ex

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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24 February

On finding a DVD of Underworld (2003), understandably abandoned by an ex's ex

Michael S.'s part was clearly written for Rik Mayall, Bill N.'s for NE Other, and, when not stomping, Kate's repertoire, is limited to looking as if deducing, trap-hole descents and flinging doors open that she doesn't need to kick unlocked.

[Fans of these films needn't reply !]

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 25, 2024

If there's any reason to continue with it (is it so bad that it's just very bad* ?), maybe more...



* The buried non-treasure implied by the title.


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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

#OldSawsAndSayings : A Useful Collection

#OldSawsAndSayings : A Useful Collection

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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20 February

#OldSawsAndSayings : A Useful Collection

It's better to be safe than sentient#OldSawsAndSayings No. 1

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 20, 2024

A bird in the hand is one sure way of getting it pecked, crapped on or both#OldSawsAndSayings No. 2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 21, 2024

He who laughs last shall miss the bus (or boat)#OldSawsAndSayings No. 3

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 22, 2024

Foot loose - and fancy falling over ?#OldSawsAndSayings No. 4

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 25, 2024

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Seen at Cambridge Film Festival 2023 / #CFF42 (work, desperately slowly, in progress)

TSeen at Cambridge Film Festival 2023 / #CFF42

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

26 October

Seen at Cambridge Film Festival 2023 / #CFF42 (work, desperately slowly, in progress)

A beautiful second film, and a credit to #CameraCatalonia - as Júlia ist (2017) had been, again in Cambridge, in 2018 !https://t.co/ABsLoG5Gh2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) December 5, 2023

Key :

For a very rare change, for #UCFF, no films this year were not watched in full (although excepting, for example, the recorded Q&A for Mutt, which ran directly after the closing credits and when Th'Agent needed to be on the way elsewhere).

That being said, since there were occasions when quitting the film had been tempting (because of, say, a massive disjunction or clash of mood or quality with what had been watched beforehand), and that experience is denoted by Exit, although the film was watched to the end.

Similarly, in the case of film-titles denoted by Asp, there had been an aspiration or intention to watch that film quite soon after another, but similar reasons, tiredness or simply wanting to socialize (and not watch a film for the sake of it) supervened.


Thursday 19 October :

(1) 8.20 Typist Artist Pirate King (2022) ~ Opening Night Film + Q&A (Screen 1)


Friday 20 October :

(2) 12.30 In the Company of Women (2023) ~ Camera Catalonia (Scre3n 2)

(3) 2.25 Sprich mit mir (Talk to Me) (2023) (Screen 2)

(4) 6.00 Quest (2023) ~ Camera Catalonia (SCreen 3)

(5) 8.30 Poor Things (2023) (Screen 1)

















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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

The #ChocolateIsNews ? ! Tweets - Well, news when Christmas is next month...

The #ChocolateIsNews ? ! Tweets - Well, news when Christmas is next month...

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

9 November

The #ChocolateIsNews ? ! Tweets - Well, news when Christmas is next month...

One's initial impression* didn't alter - so isn't this a blessing, not a blight ?

* I.e. Although The Ambassador was maybe 'spoiling us', it's a mini-landmine that, when penetrated, bears more than passing textural resemblances to another choc...

No. 1 of #ChocolateIsNews ? ! pic.twitter.com/XInIIWlPoV

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 9, 2023

The, well, story can be found here :https://t.co/U2hNNMuOZM https://t.co/PmWHLZe4sG

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 9, 2023

On the same day, even, there's yet more : it appears to be nostalgia-news about chocolate-bars of youth or yesteryear - likely just to create 'underground suppliers' for whoever sees these sucrose-laden snax as a fight for dietary freedom... ;)

No. 2 of #ChocolateIsNews ? ! pic.twitter.com/nwioJiPX8Z

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 9, 2023

Necessarily, here's the link to the slash-story, 'Second chocolate bar discontinued by Nestle following Caramac axe' :https://t.co/Xpq41MInmh#StashToBeatTheSlash https://t.co/TK0cKJqX4b pic.twitter.com/5Oity6sGdr

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 9, 2023

Ah, well !

Relieved fans can sigh a breath - or some such... :)

No. 3 of #ChocolateIsNews ? ! https://t.co/PmWHLZe4sG pic.twitter.com/0oPeVYDO3P

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) December 6, 2023

More content for #ChocolateIsNews ! :)https://t.co/39bVBklr7h pic.twitter.com/4iIfcdUzp6

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 8, 2024

Story / advert, headed 'Nab £10 off epic** Creme-Egg bulk-box, ready for Easter', at :https://t.co/PRtOci5yeY

[** NB Easter Sunday's 31 March, some don't bother much with Lent, so maybe three boxes *might* last that long ?]#ChocolateIsNews

2 / 2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 14, 2024

Your reminder that, somehow, #ChocolateIsNews...https://t.co/gmYzlOfoNd

1 / 2 pic.twitter.com/PK8yqIdkvY

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) February 24, 2024

No. 69, seemingly, of #ChocolateIsNews ? pic.twitter.com/x3FMEgpc9s

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) March 26, 2025

'Easter eggs up to 50% more expensive than last year' :https://t.co/HreE4qzLP8

Your reminder that, as when Sales are advertised as 'Up to 75%' off, 'up to' means 'no more than' 50% more expensive...

No. 70 of #ChocolateIsNews pic.twitter.com/KEC53HdMh6

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) March 27, 2025

Yes, it's *not* news, but 'an advertising feature'... ;)

'Best Am@zon Easter egg and chocolate deals not to miss this week' :https://t.co/aLuSscJdlr

No. 71 of #ChocolateIsNews pic.twitter.com/5XWYWPXGxS

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) March 27, 2025

'Watch : Shoplifter caught with hundreds of Creme Eggs' :https://t.co/chorrtkxgk

No. 72 of #ChocolateIsNews pic.twitter.com/2Inq2eXvGX

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) March 28, 2025

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

A putative series of entries for The Enquiring Adult's Encyclopædia of Drivel : #BannedNames

A putative series of entries for The Enquiring Adult's Encyclopædia of Drivel  : #BannedNames

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
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3 November

A putative series of entries for The Enquiring Adult's Encyclopædia of Drivel  : #BannedNames

From a chat with RPC this evening :

The Scalding Hot Swedes - alternative name for ABBA#BannedNames

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 3, 2023

For the unlucky and / or unwary, there will be more to come...





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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Keen appreciation for Neil Brand's Laurel & Hardy show : Seen at The Stables, Wavendon, MK

Keen appreciation for Neil Brand's Laurel & Hardy show : Seen at The Stables, Wavendon, MK

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

31 October (additions, 5 January)

Keen appreciation for Neil Brand's Laurel & Hardy show : Seen at The Stables, Wavendon, MK

A great gig at @StablesMK in the company of Oliver Hardy and Stan Laurel - @NeilKBrand, in engagingly off-the-cuff style, hosts the show that he's written about them, covering how they met, what they did before then and what makes their work special - for him and for us.

1 / 2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 1, 2023

At @StablesMK, with Stan and Ollie letting Neil make a trio*, such a great night out - and a pleasant break from All Hallows' Eve ! :)

Knowing his stuff, but easy with his knowledge and skill, Neil played the silents, informed the early years and told us what to look out for. pic.twitter.com/lJIKFZ00U1

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) January 5, 2024

For L&H fans, new and in the making, well worth doing ! :)

[Sadly, the #UCFF write-up - started with the best of aims as ever - is no more than a stub, but hey !]

* Although arguably, as they were also with the perennial presence of James Finlayson, maybe almost a quartet ? pic.twitter.com/K4kByOL0lW

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) January 5, 2024

Yet, as with Neil Brand himself, always serving Stan Laurel's writing - and an ineffable magic wrought by Oliver Hardy with him on the big screen !

[Plus, and as some of those stills show, the image-quality now's so good - as against, years back, when L&H were on childhood t.v.] pic.twitter.com/vhtssxQDVH

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) January 5, 2024

Brand attributed his approach to improvisation - itself rooted in having long 'played' silent films and his ready knowledge of cinema-history - to what he learnt in having training as an actor¹, and demonstrated how he suits sound² to a character's look, mood and gesture.

2 / 2

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 2, 2023

It wlll surprise if more tour-dates with Stan and Ollie³ for 2023 and into 2024 don't get added, but here's what's been announced :https://t.co/eVLOjMHo5x

³ Liking the 2018 film of that name [and has his own https://t.co/BLrdegpaef], his desire's to show us the earlier years.

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 2, 2023

¹ Of course, he also writes, composes, broadcasts...

² Another role is teaching improvisation at @RoyalAcadMusic [https://t.co/fg1cVy4Pus] - not necessarily, he says, so that students become silent-film accompanists, but to find what music they have within them.

Go hear :)

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) November 2, 2023

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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

#UCFF's initial Tweets about Mutt (2023) (posting still under construction)

#UCFF's initial Tweets about Mutt (2023)

More views of - or before - Cambridge Film Festival 2019 (17 to 24 October)
(Click here to go directly to the Festival web-site)

26 October (end-note expanded, 27 OCtober)

#UCFF's initial Tweets about Mutt (2023) (posting still under construction)

As well as Deux jours, une nuit (2014), that description reminds me of this film, from last decade's #CameraCatalonia :https://t.co/ylP3zy54zI

If Screen 1's running to time on Day 8, I *should* be able to give Mutt (2023) a whirl... :)

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 25, 2023

Mutt (2023) watched, which *may* be it for #CFF42 [although still not succeeded in looking at precisely what https://t.co/40kSEDf7u7 might permits Th'Agent to see] - great fun and a warm welcome at the Youth Lab stall* again this afternoon !

* More at : https://t.co/zvNYIvsDlS. https://t.co/uTHExAPJBQ

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 26, 2023

Some like saying 'oneiric'. Mutt was that, featured colour-grading and its gradients that reminded of what Edgar Wright did in Baby Driver (2017) and - as kinda predicted / guessed at the other day - most of all of this film from #CameraCatalonia 2015 :https://t.co/3WLBd4M3dG

— THE AGENT APSLEY #ScrapUniversalCredit #JC4PM2019 (@THEAGENTAPSLEY) October 26, 2023

Mutt is a tender and accomplished feature debut from Director Vuk Lungulov-Klotz, who draws on personal experience to explore the complexities of post-transition life.

Screening at #LIFF2023 on the 5, 7 and 9 Nov at @everyman Leeds.

Book tickets via: https://t.co/YSagx3ENJX pic.twitter.com/2JQmtVuCCF

— Leeds International Film Festival - LIFF (@leedsfilmfest) October 24, 2023

En el marco del 21er Festival Internacional de Cine de Morelia (#FICM2023), se realizó la función especial de MUTT, dirigida por Vuk Lungulov-Klot, como parte de las funciones especiales que tendrá el @MixFilmFest.

Leer más 🎬👉 [ https://t.co/zbl6guMQMd ] pic.twitter.com/ImpX1KkYMf

— Morelia Film Fest (@FICM) October 25, 2023

End-notes :

* The film seems to have no internal logic why it is so called.

However, #UCFF has since been advised, by one more likely to be in the know, that the word is used in the States synonymously with 'schmuck' (and referred to the authority of its being used in that way by Groucho Marx no less) : that being so, the pejorative usage in Yiddish [the link is to Wiki] adds colour, because, although 'schmuck' derives from the German word Schmuck (der Schmuck, which means 'jewelry'), its literal Yiddish meaning is a vulgar way of referring to the penis. (One can therefore infer that 'Dick' (or 'Cock') might have been more resonant titles in British English.)


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Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)